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In 2025, marking the 18th anniversary of the iconic HIPHOP party [NEVER BROKE], CEO KAZU-also known as the manager of MADAM WOO, the go-to nightlife spot for HIPHOP celebrities from Japan and abroad-continues to reign supreme as the ultimate figure in Tokyo's HIPHOP nightlife scene.
Now, for the first time in a year, he returns with a brand-new single that brings together his lifelong love for the birthplace of HIPHOP-New York-in a special collaboration with the next-generation collective 41 (Kyle Richh, Jenn Carter & TaTa), representing Brooklyn Brownsville and carrying the torch for the new wave of NY HIPHOP.
The name [41]stems from [41 ways to get paid], a phrase that perfectly embodies their code of brotherhood:
One for all, all for one.
True to that spirit, 41 have been carving their path through Brooklyn's scene alongside their crew, becoming the face of a new era.
This track connects the fiery Brooklyn energy of 41 with CEO KAZU's fresh Tokyo-driven power, capturing the very moment HIPHOP unites as one, just as the title suggests.
The sound, once again crafted by Japanese producer Flammable-a close collaborator since KAZU's previous single [SEX MONEY POWER]--merges the razor-sharp edge of NY Jerk Drill with Flammable's signature sense of groove, creating something unmistakably unique.
The result is a track that bottles the raw, undeniable energy of Brooklyn's streets and the cross-border chemistry between NY and Tokyo-a new kind of vibe that could only be born here.
A sound that breaks boundaries, connects scenes, and points to the future.
This is a special cross-border collaboration linking the streets of New York and Tokyo through HIPHOP.
Mixing was handled once again by JIGG, and mastering was done by Zach Pereira, whose recent credits include standout works for Clipse, Travis Scott, and Pharrell Williams.
東京の夜を代表する17周年(2024年時点)を迎えた説明不要のHIPHOPパーティー【NEVER BROKE】と【BLUE MAGIC】のCEO そして日本唯一のジェントルメンズクラブ【MADAM WOO】のマネージャーとしての顔も持つまさに東京HIPHOP夜の最高責任者であり、今もなお現場の最前線に立ち日本のHIPHOPカルチャーを盛り上げ、キープし続けている。 2000年代後半以降、東京で数々のビッグパーティーを成功させており、さらにパーティーオーガナイザーというポジションながら自らマイクを持ちDJブースやステージに立つという日本人離れしたHIPHOPスワッグで一際注目されると同時に日本のトップアーティスト達からも厚い信頼を寄せている。