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Composed in 2009 as the opening theme for an original stage production set in ancient Japan, this orchestral piece unfolds with a solemn introduction featuring traditional instruments.
A delicate, ethereal melody emerges through harp and wordless soprano vocals, gradually expanding into a sweeping, emotional build.
The climax arrives with powerful 6/8 drums, as the full orchestra and soprano unite in a majestic and dramatic finale.
This piece marks an early creative milestone for the composer, who was just beginning to explore orchestration and digital production at the time.
Driven by a youthful desire to create something as grand as a historical drama or epic game soundtrack, Kingdom of Water remains a vivid expression of early ambition and imagination.
Composer, Arranger, Orchestrator, and Keyboardist. Raised in Australia during childhood, I later returned to Japan and majored in composition at university, followed by graduate studies in film music. After completing my graduate degree, I began my professional career as an assistant to Joe Hisaishi. Since then, I have been involved in a wide range of projects, including films, TV dramas, and commercials, gaining extensive experience in high-level productions. As an orchestrator and copyist, I have collaborated with composers across different generations and genres, supporting music production at the forefront of the industry. After dedicating time to raising my children, I have resumed my journey to share my own music with the world. I am currently releasing works that I have cherished over the years, including orchestral-based soundtracks and vocal tracks featuring Synthesizer V. Embracing this era where individual artists can share their music globally, I aim to reach more listeners and connect through my sound. I hope that the music I have nurtured will touch someone's heart and open the door to new worlds.


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