

I’m not okay yet
But I’m still here
I left my hoodie on the chair
Like I was coming back soon
Half a cold dinner on the desk
A paper cup beside my room
I laughed too loud at something small
Then went quiet in the hall
Held my breath behind the door
So no one heard me fall
I keep my phone face down at night
So I don’t have to see the light
Some days I look almost alive
But I’m just getting by
I’m not broken
I’m just tired of pretending
Every little smile I wear
Feels heavier by the ending
I don’t need someone to save me
I just need a place to breathe
If tomorrow comes slowly
Let it come quietly
There’s a jacket by the window
I haven’t worn for weeks
A notebook full of empty lines
I never let you read
I washed my face with cold water
Stared until I looked the same
Practiced saying “I’m alright”
Like it was my middle name
I know I’m hard to understand
I let go, then I reach again
Some days I don’t want to disappear
I just don’t want to explain
I’m not broken
I’m just tired of pretending
Every little smile I wear
Feels heavier by the ending
I don’t need someone to save me
I just need a place to breathe
If tomorrow comes slowly
Let it come quietly
Maybe healing isn’t loud
Maybe it just stays around
In the dishes left undone
In the shoes beside the door
Maybe I’m not falling apart
Maybe this is where I start
With a quiet kind of pain
I don’t have to hide no more
I’m not broken
I’m still learning how to carry
All the things I couldn’t say
All the nights that felt too heavy
I don’t need a perfect morning
I just need a little room
If I can make it through the silence
I can make it through the blue
I’m not okay yet
But I’m still here
That has to mean something
That has to mean something
- Lyricist
GREYLINE
- Composer
GREYLINE
- Producer
GREYLINE
- Vocals
GREYLINE

Listen to Not Okay Yet by GREYLINE
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Not Okay Yet
GREYLINE
Artist Profile
GREYLINE
GRΛYLINE is a three-piece male band project that presents music without faces, focusing only on sound and state. Rather than fixed personas, their work is defined by shifting emotional distance. The voice changes not as a character choice, but as a reflection of where the music is positioned ? inward, neutral, or outward. From the introspective tones of Before Dawn, to the everyday affirmation of Clear Days, and the outward momentum of MOVE FIRST, each release captures a different phase of motion. GRΛYLINE exists in the space between thinking, stopping, and moving. Always within the same timeline. Always in transition. The figures remain silhouettes. The music moves forward.
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