

降り出した雨 傘も刺さずに
朝を待たずにここを出ていくのよ
アスファルト地面に反射する
青の信号あたしは行くのよ
耳鳴り斜めにさける
雨粒刺さる
痩せていく月にこの身を委ねたら恋
こんな日に傘なんていらなかったわ
頬の辺りに匂う香りに今絆されて
まっていたいの花びらは
踊るようにひらりひらり
不安定なダンスをできるなら
いつかなんて言わずに永遠に
雨に濡れた花びらは透けたまま舞えず落ちていく
降り出した雨君を刺さずに
朝は泣かずにここをで出ていくのよ
After grow 未練に乱射する
会うのやめない?lie is the flow
今もそう。雨粒刺さる
耳鳴り斜めに避ける雨
夜、春、約束の指流れたままで
ああ、こんな夜に傘なんていらなかったわ
頬の辺りに合うピアスに今絆されて
まっていたいの花びらは
映えるようにひらり蝶に
不安定なダンスをできるなら
いつかなんて言わずに永遠に
雨に濡れた花びらは透けたまま舞えず落ちていく
まっていたいの花びらは
踊るようにひらりひらり
不安定なダンスをできるなら
いつかなんて言わずに永遠に
雨に濡れた花びらは透けたまま舞えず落ちていく
- Lyricist
sumi
- Composer
sumi
- Producer
sumi
- Mastering Engineer
sumi
- Songwriter
sumi
- Adapter
sumi
- Percussion
sumi

Listen to touka by sumi
Streaming / Download
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touka
sumi
Musikaroid Records / MSKR-SM028
Musikaroid: the decisions lyrics, composition,
arrangement, structure, and finishing are made by
a human, and the audio realization is entrusted to AI.
Music & Lyrics: sumi
MIDI Arrangement & Mastering: sumi
Audio Realization: Suno
Visual Generation: Midjourney
Artist Profile
sumi
Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.
sumiの他のリリース
Musikaroid Records



