

どんなに離れてたって
あの月を二人は見ているんだって
思い込んでいたんだ
心地よくてだけど事実だしね
青に変わる瞬間に通り過ぎるトラックと理想
透明な青と匂い 明日は晴れるかな
もし戻れてもまた今に戻る気がして
少しの希望と多量の煩 の過剰摂取で
つまりはあなたがいないことに辛いあたしが好きで
あぁ明日は雨らしい
蝶はひらり旅立って
無自覚に使命を背負わされては
存在自体が綺麗でまた一つ使命を背負わされた
君に変わる存在を見つける気概や努力もなく
のうのうと生きるいい気分であぁだめかな
もし変わってもたぶんそれはあたしじゃなくて
ちょっと似た風のきれいで平凡なふつうで
つまりはあなたがいないことに辛いあたしが好きで
あぁ明日は雨らしい
もし戻れてもまた今に戻る気がして
少しの希望と多量の煩 の過剰摂取で
つまりはあなたがいないことに辛いあたしが好きで
あぁ明日は雨らしい
- Lyricist
sumi
- Composer
sumi
- Producer
sumi
- Mastering Engineer
sumi
- Songwriter
sumi
- Percussion
sumi

Listen to petrichor by sumi
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petrichor
sumi
月を見上げてつながっていると信じた記憶と、雨の匂いにほどけていく未練を描いた一曲です。失った相手そのものよりも、その不在に傷ついている自分を抱いてしまう感情が痛いほど静かに響きます。青、蝶、雨、理想が淡く交差する、春の夜の透明で少し苦い失恋歌になっています。
雨に匂いに例えて作りました。
Artist Profile
sumi
Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.
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