Early Days of 171 (LIVE) Front Cover

Lyric

This Is The End of The Show (Live at KYOTO GROWLY Oct/10/2020)

171

起きたら今日も昼過ぎで

べたつく体で床を蹴散らすの

携帯電話を壊したい

楽しいことを考えられない

遊んでも 満たされない

離しても 満たされない

営んでも 満たされない

壊しても 満たされない

起きたら今日も昼過ぎで

重たい視線で陽を射竦めるの

今日は一体何曜日?

明日のことを考えられない

なんもかんも つまらない

なんもかんも つまらない

なんもかんも つまらない

なんもかんも つまらない

希望がない 楽しくない

希望がない 楽しくない

希望がない 楽しくない

希望がない 楽しくない

楽しくない 楽しくない

楽しくない 楽しくない

ありがとうございまーす

  • Lyricist

    Kana, 171

  • Composer

    Harunobu Tamura, 171

Early Days of 171 (LIVE) Front Cover

Listen to This Is The End of The Show (Live at KYOTO GROWLY Oct/10/2020) by 171

Streaming / Download

  • 1

    Lack of Energy (Live at KYOTO GROWLY Nov/14/2020)

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  • 2

    The Blues of a Jellyfish (Live at KYOTO GROWLY Nov/14/2020)

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  • 3

    Remember (Live at KYOTO GROWLY Oct/9/2020)

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  • ⚫︎

    This Is The End of The Show (Live at KYOTO GROWLY Oct/10/2020)

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  • 5

    Rusted (Live at KOBE VARIT. Feb/5/2020)

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  • 6

    Smoke (Live at KYOTO GROWLY Apr/10/2020)

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  • 7

    Nettaiya (Live at KYOTO GROWLY Jul/23/2021)

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  • 8

    Overthinking (Live at KYOTO GROWLY Jul/23/2021)

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  • 9

    Sex Pistols in my iPhone (Live at Amagasaki tora Aug/9/2021)

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  • 10

    Routine (Live at Amagasaki tora Aug/9/2021)

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  • 11

    Outside of the Window (Live at Amagasaki tora Aug/9/2021)

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  • 12

    Rokko City (Live at KOBE 246WEST Jun/26/2021)

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  • 13

    HAKUBO (Live at KOBE 246WEST Jun/26/2021)

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  • 14

    Time Passes (Live at Kobe 246WEST Jun/26/2021)

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  • 15

    Koromogae (Live at Kobe 246WEST Jun/26/2021)

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  • 16

    Phantasms and Gravity (Live at Kobe 246WEST Jun/26/2021)

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  • 17

    MITARI (Live at Kobe 246WEST Jun/26/2021)

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うおお

Artist Profile

  • 171

    171 (inaichi) is a new age rock band based on Route 171, which runs through Kyoto-Osaka-Hyogo. The three-piece sound is created by Tamura's unusually solid guitar and emotional shouts, kana's destructive bass, and MORIMORI's passionate drums, and her high tone voice that makes the songs pop. The unadorned lyrics, sentimental melodies, and wild yet meticulous instrumentation are reminiscent of the heyday of rock music, while at the same time sharply penetrating into the daily lives of today's youth. Their energetic and explosive performances have earned them solid support from the live house scene, and they have already gained popularity among early-earning listeners, with a string of restricted admission at circuit festivals and sold-out one-man shows at Shindaita FEVER / Teradacho Fireloop and other venues. The band has already gained popularity among early listeners. The most popular band in the indie music world, with a growing influence nationwide beyond the 171.

    Artist page


    171の他のリリース
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