Impression, white Front Cover

Lyric

GHOST

MHÚE

Pressure

Relax

Stress

Power

Brain

Alcohol

Design

Ghost

Walking around

Waking up when I’m falling asleep

Never coming back

Crawling around

Dead to be born

Breathe in the water

Never seeing you

Walking around

Waking up when I’m falling asleep

Never coming back

In the screen

Dead to be born

Breathe in the water

To fall off

Art

Money

Idea

Haircut

Choice

Sugar

Blue ocean

Ghost

Walking around

Waking up when I’m falling asleep

Never coming back

Crawling around

Dead to be born

Breathe in the water

Never seeing you

Walking around

Waking up when I’m falling asleep

Never coming back

In the screen

Dead to be born

Breathe in the water

To fall off

Birth

Death

Metal

Culture

Metaphor

System

Gum

Water

Medicine

Emotion

Walk

Business

Talk

Game

Love

Name

Ghost

  • Lyricist

    Ryo Idogawa, Moana Uchino, Ryota Tomizawa

  • Composer

    Ryo Idogawa

  • Producer

    Ryo Idogawa

  • Recording Engineer

    Ryo Idogawa

  • Mixing Engineer

    Ryo Idogawa

  • Mastering Engineer

    Ryo Idogawa

  • Guitar

    Ryo Idogawa

  • Bass Guitar

    Ryo Idogawa

  • Drums

    Ryo Idogawa

  • Keyboards

    Ryo Idogawa

  • Synthesizer

    Ryo Idogawa

  • Vocals

    Moana Uchino

  • Programming

    Ryo Idogawa

Impression, white Front Cover

Listen to GHOST by MHÚE

Streaming / Download

[A Reconstruction of Modern Impressionism and Minimalism: A New Horizon of Guitar Pop Where Visuals and Sound Coalesce]

This ambitious work centers on the theme of "Modern Impressionism and Minimalism," built upon a foundation of ambient textures, frequent use of polyrhythms, and modal harmonic sensibilities.

Deeply resonating with the ideologies of Claude Debussy and Steve Reich, these influences are reinterpreted through the lens of modern guitar pop, filtered through the aesthetics of shoegaze and ambient music. By deliberately attempting to recreate the intricate textures of electronica-reminiscent of Rei Harakami-using organic instruments, and outputting math-rock approaches through unconventional methodologies, the project achieves a profound affinity with visual media.

On the visual front, I have pursued a "total work of art" (Gesamtkunstwerk) by accompanying every track with custom-made visualizers created using Max for Live in Ableton Live, alongside footage I personally filmed and edited.

Yet, at the core of this meticulous structure lies a steadfast belief: "Music cannot reach the soul without a masterful melody." Within harmonies that drift in tonal ambiguity, I have placed melodies designed to "tether the air." By fusing this with vocal work cultivated in the realm of pop, I have aimed for a true synthesis of avant-garde experimentation and popular appeal.

Artist Profile

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