

Pressure
Relax
Stress
Power
Brain
Alcohol
Design
Ghost
Walking around
Waking up when I’m falling asleep
Never coming back
Crawling around
Dead to be born
Breathe in the water
Never seeing you
Walking around
Waking up when I’m falling asleep
Never coming back
In the screen
Dead to be born
Breathe in the water
To fall off
Art
Money
Idea
Haircut
Choice
Sugar
Blue ocean
Ghost
Walking around
Waking up when I’m falling asleep
Never coming back
Crawling around
Dead to be born
Breathe in the water
Never seeing you
Walking around
Waking up when I’m falling asleep
Never coming back
In the screen
Dead to be born
Breathe in the water
To fall off
Birth
Death
Metal
Culture
Metaphor
System
Gum
Water
Medicine
Emotion
Walk
Business
Talk
Game
Love
Name
Ghost
- Lyricist
Ryo Idogawa, Moana Uchino, Ryota Tomizawa
- Composer
Ryo Idogawa
- Producer
Ryo Idogawa
- Recording Engineer
Ryo Idogawa
- Mixing Engineer
Ryo Idogawa
- Mastering Engineer
Ryo Idogawa
- Guitar
Ryo Idogawa
- Bass Guitar
Ryo Idogawa
- Drums
Ryo Idogawa
- Keyboards
Ryo Idogawa
- Synthesizer
Ryo Idogawa
- Vocals
Moana Uchino
- Programming
Ryo Idogawa

Listen to GHOST by MHÚE
Streaming / Download
- 1
Invert
MHÚE
- ⚫︎
GHOST
MHÚE
- 3
REST
MHÚE
- 4
Vertigo
MHÚE
- 5
Flux
MHÚE
- 6
Dry Silk
MHÚE
- 7
Focal Point
MHÚE
- 8
Mustang
MHÚE
- 9
Downer
MHÚE
- 10
Organic Mood
MHÚE
- 11
Sleepless
MHÚE
[A Reconstruction of Modern Impressionism and Minimalism: A New Horizon of Guitar Pop Where Visuals and Sound Coalesce]
This ambitious work centers on the theme of "Modern Impressionism and Minimalism," built upon a foundation of ambient textures, frequent use of polyrhythms, and modal harmonic sensibilities.
Deeply resonating with the ideologies of Claude Debussy and Steve Reich, these influences are reinterpreted through the lens of modern guitar pop, filtered through the aesthetics of shoegaze and ambient music. By deliberately attempting to recreate the intricate textures of electronica-reminiscent of Rei Harakami-using organic instruments, and outputting math-rock approaches through unconventional methodologies, the project achieves a profound affinity with visual media.
On the visual front, I have pursued a "total work of art" (Gesamtkunstwerk) by accompanying every track with custom-made visualizers created using Max for Live in Ableton Live, alongside footage I personally filmed and edited.
Yet, at the core of this meticulous structure lies a steadfast belief: "Music cannot reach the soul without a masterful melody." Within harmonies that drift in tonal ambiguity, I have placed melodies designed to "tether the air." By fusing this with vocal work cultivated in the realm of pop, I have aimed for a true synthesis of avant-garde experimentation and popular appeal.