

静かな闇と広がる波紋
水たまりの上
飛ぶ 青い光
塵となって流れてゆく
形成される意思に
上がる彩度
未完成な世界で
地図を作るように
音を紡いで
逝けばまた無地の世界へ
繰り返されてしまう
声を聞いて深いハート
「あの母がいい」
忘れた思い出の
穏やかさの中
上がるスピード
光となって落ちてゆく
継承される意思に
上がる明度
未完成な世界で
地図を作るように
音を紡いで
逝けばまた無地の世界へ
繰り返されてしまう
声を聞いて深いハート
とめどない、夜に目を瞑る
繰り返される、繰り返されつづける
ぎこちない、眩しい目覚めが
繰り返される、繰り返されつづける
- Lyricist
Ryo Idogawa, Moana Uchino
- Composer
Ryo Idogawa
- Producer
Ryo Idogawa
- Recording Engineer
Ryo Idogawa
- Mixing Engineer
Ryo Idogawa
- Mastering Engineer
Ryo Idogawa
- Guitar
Ryo Idogawa
- Bass Guitar
Ryo Idogawa
- Drums
Ryo Idogawa
- Keyboards
Ryo Idogawa
- Vocals
Moana Uchino
- Programming
Ryo Idogawa

Listen to Flux by MHÚE
Streaming / Download
- 1
Invert
MHÚE
- 2
GHOST
MHÚE
- 3
REST
MHÚE
- 4
Vertigo
MHÚE
- ⚫︎
Flux
MHÚE
- 6
Dry Silk
MHÚE
- 7
Focal Point
MHÚE
- 8
Mustang
MHÚE
- 9
Downer
MHÚE
- 10
Organic Mood
MHÚE
- 11
Sleepless
MHÚE
[A Reconstruction of Modern Impressionism and Minimalism: A New Horizon of Guitar Pop Where Visuals and Sound Coalesce]
This ambitious work centers on the theme of "Modern Impressionism and Minimalism," built upon a foundation of ambient textures, frequent use of polyrhythms, and modal harmonic sensibilities.
Deeply resonating with the ideologies of Claude Debussy and Steve Reich, these influences are reinterpreted through the lens of modern guitar pop, filtered through the aesthetics of shoegaze and ambient music. By deliberately attempting to recreate the intricate textures of electronica-reminiscent of Rei Harakami-using organic instruments, and outputting math-rock approaches through unconventional methodologies, the project achieves a profound affinity with visual media.
On the visual front, I have pursued a "total work of art" (Gesamtkunstwerk) by accompanying every track with custom-made visualizers created using Max for Live in Ableton Live, alongside footage I personally filmed and edited.
Yet, at the core of this meticulous structure lies a steadfast belief: "Music cannot reach the soul without a masterful melody." Within harmonies that drift in tonal ambiguity, I have placed melodies designed to "tether the air." By fusing this with vocal work cultivated in the realm of pop, I have aimed for a true synthesis of avant-garde experimentation and popular appeal.