Impression, white Front Cover

Lyric

Mustang

MHÚE

There’s always something after me

It never answers me

It throws me off, throws me off

I’m done

I have been drowning, I have not been waving

There’s always you in front of me

You never answer me no

You throw me off, throw me off

I’m done

I cannot face you, I cannot face the truth now

Same as it ever was

We will fade in dark

Same as it ever was

Until we fall apart

Same as it ever was

We will fade in dark

We will run backwards again

We're running forwards now

Same as it ever was

We will fade in dark

Same as it ever was

Until we fall apart

Same as it ever was

We will fade in dark

We will run backwards again

We're running forwards now

Until we fall apart

We're running forwards now

  • Lyricist

    Ryota Tomizawa

  • Composer

    Ryo Idogawa

  • Producer

    Ryo Idogawa

  • Recording Engineer

    Ryo Idogawa

  • Mixing Engineer

    Ryo Idogawa

  • Mastering Engineer

    Ryo Idogawa

  • Guitar

    Ryo Idogawa

  • Bass Guitar

    Ryo Idogawa

  • Drums

    Ryo Idogawa

  • Keyboards

    Ryo Idogawa

  • Vocals

    Moana Uchino, Ryota Tomizawa

  • Programming

    Ryo Idogawa

Impression, white Front Cover

Listen to Mustang by MHÚE

Streaming / Download

[A Reconstruction of Modern Impressionism and Minimalism: A New Horizon of Guitar Pop Where Visuals and Sound Coalesce]

This ambitious work centers on the theme of "Modern Impressionism and Minimalism," built upon a foundation of ambient textures, frequent use of polyrhythms, and modal harmonic sensibilities.

Deeply resonating with the ideologies of Claude Debussy and Steve Reich, these influences are reinterpreted through the lens of modern guitar pop, filtered through the aesthetics of shoegaze and ambient music. By deliberately attempting to recreate the intricate textures of electronica-reminiscent of Rei Harakami-using organic instruments, and outputting math-rock approaches through unconventional methodologies, the project achieves a profound affinity with visual media.

On the visual front, I have pursued a "total work of art" (Gesamtkunstwerk) by accompanying every track with custom-made visualizers created using Max for Live in Ableton Live, alongside footage I personally filmed and edited.

Yet, at the core of this meticulous structure lies a steadfast belief: "Music cannot reach the soul without a masterful melody." Within harmonies that drift in tonal ambiguity, I have placed melodies designed to "tether the air." By fusing this with vocal work cultivated in the realm of pop, I have aimed for a true synthesis of avant-garde experimentation and popular appeal.

Artist Profile

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