
Release Date
2026-06-12
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1
Tanto Bushi (feat. Bloodest Saxophone & Emerson Kitamura)
2
Niikawa Kodaijin (feat. Suzumeno Tears)
3
Yattokose (feat. Suzumeno Tears)
4
Kawasaki (feat. Suzumeno Tears)
5
Yakyuken (feat. Emerson Kitamura)
6
Ineage Uta (feat. Suzumeno Tears)
7
Kuroishi Yosare (feat. Suzumeno Tears)
8
Sawauchi Jinku (feat. Emerson Kitamura & Suzumeno Tears)
9
Yamada Han'ya (feat. Emerson Kitamura & Suzumeno Tears)
10
Teshima no Bon-Odori-Uta (feat. Tomoko Kageyama)
11
Hokkai Bon-Uta (feat. Suzumeno Tears)
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The second album by Goshu Ondo / minyo singer Remon Nakanishi will be released on June 12, 2026 from DOYASA! Records, following five consecutive monthly single releases.
While his previous album, Hinano Iezuto, focused primarily on folk songs from the Tohoku (northeast) region, this new work features a more diverse selection of songs and arrangements. As with the previous release, the author Kou Machida contributes a laudatory commentary for the album's obi strip.
Produced by Agatha, Remon Nakanishi's debut album Hinano Iezuto (Souvenir from the Countryside) (2022), along with Sparrow's Arrows Fly so High (2024) by Suzumeno Tears, signaled a new paradigm for post-pandemic Japanese pop rooted in local and vernacular sensibilities. Rejecting both standardized min'yō and folkloric preservation as static heritage, Nakanishi draws instead on songs and entertainments that circulated fluidly among ordinary people. His repertoire embraces the beauty, earthiness, cruelty, and humor of everyday life, which Agatha's refined arrangements blend with diverse global musical styles in unexpected ways. Long before emerging as a min'yō-inflected pop artist, Nakanishi immersed himself in grassroots performance cultures, participating in bon odori across Japan and creating artworks inspired by these experiences. He has worked for the off-note label, dedicated to marginal music and performance traditions in Japan and East Asia, while also guiding reading groups on early modern popular performance materials. His path as a singer crystallized through Monogatari Uchūno Kai, a correspondence course in Gōshū Ondo founded by Tadamaru Sakuragawa, which became central to the alternative bon odori scene and gave rise to Suzumeno Tears. During the COVID-19 pandemic, album production in Agatha's home studio led to Hinano Iezuto, followed by ODORI ONDO, a 12-inch single pairing extended Gōshū Ondo narratives with hip-hop and molam. A committed revivalist of popular festivals, Nakanishi is, for that very reason, a distinctly contemporary artist opening new spaces for vernacular expression today.
DOYASA! Records