

Lyric
J.R. (Acappella)
CARREC, HUNGER
"敷かれたレールに乗る気はないが
これしかない J.R.で行こう
暴走列車ブースト カルキ抜きした水飲みながら書き殴るストローク
昔作ったJappcatsが路線図 元にあるライフワーク
生きてれば共にある 音にある 止まれないぜ!
辿る系譜 走る血肉に変えて やりきる気がないと顔向けができないぜ
初志ならば貫徹 曲流し完結 ここから断絶することはなく北陸にアクセス
国鉄ラップの特等席だ JとR Japanese Rap
レールは一本 一方通行 リスケなしで結構
和の鉄人キャレックと向かう ジャスト定刻 Yo
(電車でGO!)あげる乗客のテンションどうなろうと
連れてくエンドオブザロード
都会の喧騒 離れ 全速力だどうよ
車窓から見えるもの以外 余計な詮索はNO
ノンプロでくらった衝撃のショウのような超弩級のショック療法
平坦なロードラップなら いくら急行したってまあ
そこなら だいぶ前に辿り着いていたよもう
ペースアップ する現代
Still 走り書きするペーパー
名盤 定番 落としこむのさ現場
ペースアップ する現代
Still 焦がす針の先端
名盤 定番 Stay Alive J.R
Yo!暴走機関車だ 弾丸列車途中下車無効
錆びたレールの上 Yo J.R. 列車走り出す
Yo!暴走機関車だ 弾丸列車途中下車無効
錆びたレールの上 J.R. 加速するJP EXPRESS
問題騒音 反省ない 走行 双方
この際 物足りないなら 取っ払おうバイアス
低姿勢でもない停止線 越えて
しぶき上げるトーマスばりのbaby face いまだ
肯定されない ルート存在するA列車
吹雪から炎天下 まで運行(中)
古くさいパーツ 形成された 負の遺産のような
見映えだが現状 なら いたって順調だ
観光で来たはずがスカッとしない日本で
身体がスクワットしちゃいそうなビート
滞在中滞在後「なんだかすごいもん聞いちゃったー」
それぞれの国の言語で 語るんだ
解説ない解決策ない時代では場が縁で
エンドレスで負荷 かかるが自然体でさ
プラスノルマ なんて時代を生きた
俺たちに今できるのはこんくらいだ
ペースアップ する現代
Still 走り書きするペーパー
名盤 定番 落としこむのさ現場
ペースアップ する現代
Still 焦がす針の先端
名盤 定番 Stay Alive J.R
Yo!暴走機関車だ 弾丸列車途中下車無効
錆びたレールの上 Yo J.R. 列車走り出す
Yo!暴走機関車だ 弾丸列車途中下車無効
錆びたレールの上 J.R. 加速するJP EXPRESS
黄色い線の内側までお下がりください
お下がりください押さないでください
押さないで 幼いMCは
駆け込み乗車はおやめください"
- Lyricist
HUNGER
- Composer
CARREC
- Producer
CARREC
- Mastering Engineer
TSUTCHIE
- Graphic Design
tomokispice
- Rap
HUNGER

Listen to J.R. (Acappella) by CARREC, HUNGER
Streaming / Download
J.R.
CARREC, HUNGER
- 1
J.R.
CARREC, HUNGER
- 2
J.R. (Instrumental)
CARREC
- 3
J.R. (Instrumental w/cuts)
CARREC
- 4
J.R. (TV track)
CARREC, HUNGER
- ⚫︎
J.R. (Acappella)
CARREC, HUNGER
HUNGER of GAGLE and CARREC Release New Single "J.R."
Japanese Rap Running on Tracks of Its Own Making
"J.R." is a new collaboration between HUNGER and CARREC, with lyrics written by HUNGER and production handled by CARREC.
While the title "J.R." immediately evokes Japan's railway system, it also serves as a double meaning that points directly to "Japanese Rap." Rather than riding on tracks laid by others, the song embodies the philosophy of laying down one's own rails and moving forward on them. That mindset is embedded in the title itself and runs throughout the entire record.
The track launches into motion with the opening line, "I'm not interested in riding on tracks someone else laid, but this is all I need-let's go with J.R." From there, HUNGER weaves together imagery of railways, route maps, runaway trains, bullet trains, and non-stop journeys, connecting the history of Japanese rap with his own present-day perspective. Drawing from the culture and artists who came before him, he transforms that inheritance into something personal, continuing to move forward without hesitation toward the next destination.
CARREC's production provides the driving force of the record-heavy, sharp, and relentlessly forward-moving, much like a train gaining speed. Complementing the song's railway-themed wordplay, CARREC deploys one of his signature techniques: scratching classic Japanese rap records throughout the track. Over this foundation, HUNGER accelerates with a performance that balances humor, sharp commentary, and lyrical precision.
One of the song's defining moments arrives near the end with the line: "Young MCs, please refrain from rushing onto the train." The punchline encapsulates the record's core message. Rather than jumping aboard because of trends or momentum, it speaks from the perspective of artists who have spent years building their own path and continuing to move forward with conviction.
Released alongside the single is a hand-drawn animated music video created by tomokispice. The animation visually captures the track's raw energy and momentum through expressive lines and dynamic movement. Tomokispice also designed the cover artwork, creating a cohesive visual identity that reinforces the world of "J.R."
Mastering was handled by TSUTCHIE of SHAKKAZOMBIE, further enhancing the song's power and sonic character.
In addition to the original version, the release includes an Instrumental, Instrumental w/Cuts, TV Track, and Acappella. Designed not only for DJs but also for rappers and beatmakers, the package leaves room for remixes and reinterpretations, allowing "J.R." to continue its journey through new forms of expression.
More than a song built around railway imagery, "J.R." is a statement on the current state and future direction of Japanese rap. Rejecting predetermined routes and choosing instead to lay their own tracks, HUNGER and CARREC continue to move forward. And this train isn't stopping anytime soon.
Artist Profile
CARREC
CARREC is a Japanese beatmaker known as the "Iron Chef" of Japan. Also worked with EL DA SENSEI(Artifacts),MEGA-G,HIDADDY,Suukun,Zoomgals etc. His production style is [Sampling Oriented Boombap]traditional oriental samples and solid beats. DJ JIN (RHYMESTER) called him [One of the best Japanese rap vinyl digger among active DJs] for his record collection. Performing at parties across the country with chic music selection and mixing skills. In the past, he has won the [JAPANESE HIP HOP SOUND CLASH] appeared on TV Asahi's Freestyle Dungeon and performed at the 21st Century Museum of Contemporary Art, Kanazawa, among many other events.
CARRECの他のリリース
HUNGER
HISTORY IN COM

