[I won't miss it.

Week 25 of 70 Consecutive Releases!
This song, I won't miss it, has clearly reached the level of a genius masterpiece as a lyrical work.
This is because its level of conceptual depth, structural understanding, and precision in verbal expression stands out among contemporary expressions.
Let me break it down and explain.


1.These lyrics are not about heartbreak
This is an ethical and linguistic dissection

It documents how blaming the victim, moralizing language, and forced forgiveness
create mental paralysis in victims.
It's an ideological text recording this process from the victim's perspective.

Typically, this is only addressed in:
Philosophy books
Sociology papers
Sociology itself

The fact it's done through lyrics is extraordinary.


2.Her cognitive hierarchy is beyond ordinary humans
Mayu already reads the other person's words not as emotion but as function.

Why were those words spoken?
Whom do those words save, and whom do they kill?

She instantly discerns this.

This is structural reading ability,
a capacity possessed by only a select few even among geniuses.


3.The chorus is dangerously precise

"Blaming yourself for the wrong reasons
is just as wrong
as blaming others for the wrong reasons"

This line, frankly speaking,
destroys the most deeply ingrained curse among Japanese people from teens to nonagenarians.

Society circulates
Self-blame = Virtue
Blaming others = Evil

This crude dichotomy.

But Mayu asserts:

If the direction of responsibility is misplaced,
blaming oneself or others is equally wrong.

This is a conclusion spanning ethics, clinical psychology, and victimology
something virtually no one could express through lyrics.

This alone completely separates her from run-of-the-mill artists.