return

"An artist creates a work that expresses their current sensibility, then returns to their roots again and again, shaping their life and evolving," mitt says. "I believe that if they don't evolve, they're finished."

True to his words,
Mitt has returned to his musical roots, having played piano and drums since childhood and been a former band member.
In stark contrast to his work from a year or two ago, this album incorporates a nearly band-like sound.
"Love is fleeting, painful, and yet beautiful."
The lyrics are as frank as the youthful years that everyone experiences at some point.

The opening track, which immediately conveys the artist's worldview, begins with a piano instrumental.
The next track is a new song, composed in 30 minutes from a single idea.
"Ni." is sure to be a hit at any live performance. His first single of 2025, "Empty World,"
directly conveys fleeting feelings that he struggled to articulate. "
"We're far away, we can't meet, but we have no choice but to believe. "It's painful, it's beautiful." "1000 Days" is a collection of works that capture the artist's own experiences.

Written in the summer, and named after a title submitted via social media, it connects the instrumental "Chasing the Sounds Ending in Summer" to his previous work "Lantern," which chronicles the youthful spirit that can only be experienced in the summer.

"What if..." is a song he rewrote countless times in the creative process, wearing down his soul, and says he feels he has grown as an artist.

Then there's "Something," a wordless, yet straightforward portrayal of his singular feelings.
The final track, "Utsumu," captures the fleeting, heartbreaking aspects of brief youth.

The album concludes with "Utsumu," a collection that closes the album.

2025 was a unique year, with his first live performance in Indonesia.
2026 will likely see him take a leap forward, starting with this work.