Planeta Front Cover

Lyric

Planeta

yukemuri

流線型の感情は

体温ひとつで存在証明を

流動体は滴ってジプシー

足跡を絶った排水溝

その笑顔も優しい嘘も

この頬を伝う指先も

許しちゃいないが触れ足りないや

飾らない日々の蜃気楼

故に人間は未完全だった

冥王星からひとっ飛びでほら

君の胸に飛び込んで死んだって

本望だって思える生涯で

報われないままこんな人生で

やっと覚えた言葉は愛だった

前頭葉からほと走っていた

このシグナルは何処へ向かってゆくの

窮屈で最高の現実へ

何故か最後のピースが見つからない

僕に必要なものなんだけど

鼻唄で誤魔化したこの静けさは

不快極まりない事態

洒落たベッドじゃぐっすり眠れない

僕に必要なものなんだけど

ガラクタにしか見えないや

またひとりの夜を越えるのか

運命星で交わした愛は

花火の様にフェードした

星芒形の熱情は最後

まばらに光ったシンメトリー

純透明でもまだ縋っていた

反重力の夢に沈んでいく

最高潮の舞台で死んだって

本望だって思える生涯で

痛みを知らずに生きていたかった

一生子供のままでいたかった

今朝すれ違った私立学生が

コンクリートから花を咲かせていた

窮屈で最高の現実で

ワインレッドのヒールで駆け抜けた

僕にはもう要らないものだけど

かさぶたみたいな面影に期待を寄せた

馬鹿みたいな殺風景

ネオンライトの街路で見つけた

僕に必要なものだったもの

さよならきっと会えないね

もう1人で生きていけるから

愛のままに

大都会のライト

閉塞の呼吸とあんな態度

打坐だらけでもまだ、案外不安じゃない

てんで満たされない(あい)

エンドロールまで

せいぜい惰性で付き合って

蝉時雨、憂いの擦過傷

載は半か丁、大都会の喧騒

この傷が癒えない跡になってしまう前に

花びらを千切るだけの二人でいよう

  • Lyricist

    YumeYume

  • Composer

    YumeYume

  • Producer

    yukemuri

  • Vocals

    yukemuri

Planeta Front Cover

Listen to Planeta by yukemuri

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    Planeta

    yukemuri

From the moment they encountered the beauty of a "heart" drawn by a mathematical equation, the story began. Yet what the song portrays is a messy, visceral drama of emotions that refuses to follow any calculated path.
The setting is a quiet corner of a vast metropolis. In the stillness of a neon-soaked night, there are two people who exist only to fill each other's loneliness. Their relationship is like a mirage where dazzling lights and lies intertwine. The warmth of their bodies becomes the only proof of existence, and a fleeting impulse racing through the prefrontal cortex gives rise to the word "love."
"Even if this life is never rewarded, if I can throw myself into you and die, that would be enough."
Despite burning with such extreme passion, no matter how much they adorn themselves, the "final piece of the puzzle" is never found. Beneath the glamorous surface of the night lurks an overwhelming sense of emptiness that cannot be measured in material terms.
What sets the story in motion is a cold, detached piece of news one morning: an unknown student who threw themselves onto concrete. In the moment the protagonist sees the screen reflecting that fleeting end, something inside them irrevocably snaps into clarity.
The passion once believed to be fate fades away like a firework, leaving behind only hollow smoke. Casting off the "wine-red heels" that had bound their feet, the protagonist runs through the night city. There, their former lover still stands amidst the noise and chaos, unchanged-but it is no longer a place to return to, only a lingering afterimage of the past.
Rather than surrendering to dazzling illusions, the protagonist seeks the quiet, unadorned rhythm of everyday breathing. Attachment transforms into a farewell named independence. Before the scars can deepen, they choose not to pursue it further-ending it as nothing more than "a relationship where petals are simply torn away." This resolute declaration of independence colors the climax of the work.
The sound production of this piece meticulously builds upon this dramatic emotional transformation.
Beautiful harmonics that seem to dissolve into space are used extensively, evoking the sensation of stars flickering atop skyscrapers or neon lights reflecting on rain-soaked asphalt-rendering them audible. These overtones, rich in resonance, embody the fragile, mirage-like instability of the city, instantly drawing the listener into the world of the narrative.
At the core of the ensemble lies a heavy bassline grounded in the realism of everyday life, paired with a dynamic rhythm section that closely follows the ebb and flow of emotion. In the verses (A and B sections), the sound maintains a low, intimate center of gravity, like breaths mingling in a confined space. As it moves toward the chorus, the arrangement opens up all at once, vividly expressing a release from psychological confinement.
The vocals carry both a trembling delicacy and the inner strength of a moment of decisive farewell. In the final moments of the song, as all instruments blend together, there remains a sense of quiet dignity. The outro symbolizes the protagonist-having cast off their heels-walking forward alone, embracing a solitude that feels both refreshing and liberating.

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