いいすぎてる実際 道端に咲く花とか木が
全部伝えてる気がするんだ
俺にわかること 少しばかりだが
常にある そこに なくなることなく
周り回る ループ そこに刺激を1滴
まるでネジのようなもの 最高にいい気分
サイクルとはよくいったものだ
生まれ朽ちることも 全てそこだ
俺が寝静まり 言葉が詰まり
全てが集まり なにかになった
花とか木もそれと同じ
美しさも固有発生的
もっと汚いものがあったっていい
俺は一生ずっと かっけえ でいい
選択を迫られ決断することに
使う体力ばっか気にした
今はずっと甘えてるようで
焦りと汗と不安を行き来した
自分を舐めてるようじゃだめだ
と思いながらスクロール1時間
俺も花とか木のように
生きることに全てをかけたい
止まってる様 俺はいつも知らん義理
止まってる様 ずっと続いてるのに
止まってる様 いつも無いものねだり
止まってる様 花は咲いてるのに
止まってる夜 俺はいつも知らんぷり
止まってる夜 朝はやってこない
止まってる夜 いつも誰かのように
止まってる夜 かっこつけたいのに
朽ちながら歌っている俺は
消えかけてるようで不満ばかり
死に場所を選ぶ時は 最高の気分で笑えたらいい
今は刺激、生活、安定を求め
未来、ステップ かっこいい音で
目の前にうつるものばかり探している
間違ってるとも思わないが
もっと我慢したら確実にな
- Lyricist
Artical
- Composer
Artical
- Graphic Design
Artical
- Vocals
Artical
- Rap
Artical
Listen to flower and tree by Artical
Streaming / Download
- 1
ride on the seatbelt
Artical
- 2
re:collection
Artical, made all
- 3
hinat4
Artical, made all
- 4
tengoku escalator (feat. hutarikyouwakoku)
Artical
- 5
eat anymore
Artical
- ⚫︎
flower and tree
Artical
- 7
mustard
Artical, made all
This work is both a musical project and an archive of observation.
It examines the sensory perceptions and systems of values that people unconsciously share-frameworks often described as "common sense."Through rap, poetry, improvisational speech, and an approach informed by field recording, these frameworks are revisited and reexamined.
The focus of the creative process was not expression itself, but perception; not speaking, but noticing.
The tracks collected here are not intended as a complete narrative. Rather, they function as fragments that continue to evolve within the listener.
remind of common sense is not an attempt to return to a lost sense of normality. Instead, it is a project dedicated to rediscovering the sensations and intuitions embedded within each body.
Artist Profile
Artical
Artist Statement Yutaka Ueno My original experience as a stutterer has led me to create art using painting, rap music, programming, and video, all of which are based on the relationship between words, sounds, and the body. Words are not a means of communication, but rather a phenomenon that emerges as it stays and stumbles within me. My works are an attempt to preserve the moment when such words and sounds emerge, the movement of the body, and the events that occur when the materials themselves, such as the traces of hands and the texture of the soil, rise to the surface. In my work, I focus on fundamental themes such as soil, words, things, and phenomena, and emphasize improvisational expression. The flow of rap music, the strokes in paintings, and the movement in videos are all not symbols that carry meaning, but rather the appearance itself. There is no clear message or intention behind them. I simply record the things that appear through my own body and thoughts as phenomena, without processing them. That is the attitude with which I approach my work. The form of expression is fluid and never stays in one genre. Just as words transform into images, sounds, and movements, I aim for my work to be a phenomenon in which expression itself is constantly transforming. This is also a journey in which my crippled language,which began with my stuttering, is freely changing form as an expression. I am a member of the Crippled Language group. History of Activities (excerpts) - 2023 Exhibition of paintings at a coffee shop in Nagasaki, my hometown - January 2025: Improvisation performance using rap music and programming video at the new building of Nagaoka Institute of Design, Nagaoka, Japan Translated with DeepL.com (free version)
