

2人がなんか言っても 止まれないよ
Tengoku escalator flow
Thank you for my girl ずっと
寂しくなんないよ oh
消える前にまあ 別れの言葉とか
押し込めて 風呂
2人のいなくなる方
ねえ鳥になってみよう ねえ
鳥になってみよう
どうせ鳥になって寂しくなる すぐに迷う
そんな時は君の好きな音楽聞こー
Tengoku escalator flow
寂しくなんないよう 寂しくなんないようずっと
寂しくなんないよう 寂しくなんないようずっと
寂しくなんなよ 寂しくなんなよずっと
寂しくなんなよ 寂しくなんなよずっと
ホワイトキューブにかかる絵画みたいに
無機質で冷たい
博物館の展示品みたいに
無機質で冷たい
寂しくなんないよう 寂しくなんないようずっと
寂しくなんないよう 寂しくなんないようずっと
2人の共和国つくるためだけに
心が寂しくなったり
毎日がaniversarry 欲しがったり
星になったり
天国は君だけのために つくる
ケースの中みたい綺麗にする
世界のどこに行っても 迷うことはないよ
Tengoku escalator flow
心残りはない 君が2倍 2人みたい
2人じゃない life
届いたことはない思いも吸いも甘いも
吸ったもん勝ちだ甘い蜜にmeetsしたい
気分 俺は生きる 君も生きる
ロケットみたいに飛ばす
浸かる暖かいjet bath
嫌な感覚飛ばす
綺麗になった君 琥珀
俺が欲しかったもん全部もっているようで
作り上げたことには気づかないようだ
泡が消えてくソーダ
君の音楽はどんな
- Lyricist
Artical
- Composer
Artical
- Graphic Design
Artical
- Vocals
Artical
- Rap
Artical

Listen to tengoku escalator (feat. hutarikyouwakoku) by Artical
Streaming / Download
- 1
ride on the seatbelt
Artical
- 2
re:collection
Artical, made all
- 3
hinat4
Artical, made all
- ⚫︎
tengoku escalator (feat. hutarikyouwakoku)
Artical
- 5
eat anymore
Artical
- 6
flower and tree
Artical
- 7
mustard
Artical, made all
This work is both a musical project and an archive of observation.
It examines the sensory perceptions and systems of values that people unconsciously share-frameworks often described as "common sense."Through rap, poetry, improvisational speech, and an approach informed by field recording, these frameworks are revisited and reexamined.
The focus of the creative process was not expression itself, but perception; not speaking, but noticing.
The tracks collected here are not intended as a complete narrative. Rather, they function as fragments that continue to evolve within the listener.
remind of common sense is not an attempt to return to a lost sense of normality. Instead, it is a project dedicated to rediscovering the sensations and intuitions embedded within each body.
Artist Profile
Artical
Artist Statement Yutaka Ueno My original experience as a stutterer has led me to create art using painting, rap music, programming, and video, all of which are based on the relationship between words, sounds, and the body. Words are not a means of communication, but rather a phenomenon that emerges as it stays and stumbles within me. My works are an attempt to preserve the moment when such words and sounds emerge, the movement of the body, and the events that occur when the materials themselves, such as the traces of hands and the texture of the soil, rise to the surface. In my work, I focus on fundamental themes such as soil, words, things, and phenomena, and emphasize improvisational expression. The flow of rap music, the strokes in paintings, and the movement in videos are all not symbols that carry meaning, but rather the appearance itself. There is no clear message or intention behind them. I simply record the things that appear through my own body and thoughts as phenomena, without processing them. That is the attitude with which I approach my work. The form of expression is fluid and never stays in one genre. Just as words transform into images, sounds, and movements, I aim for my work to be a phenomenon in which expression itself is constantly transforming. This is also a journey in which my crippled language,which began with my stuttering, is freely changing form as an expression. I am a member of the Crippled Language group. History of Activities (excerpts) - 2023 Exhibition of paintings at a coffee shop in Nagasaki, my hometown - January 2025: Improvisation performance using rap music and programming video at the new building of Nagaoka Institute of Design, Nagaoka, Japan Translated with DeepL.com (free version)
hutarikyouwakoku