

Lyric
hinat4
Artical, made all
今まであるものこと探してた
一人で外 車を走らせた
新鮮な空気すぐ味わえば
その経験全てがかけがえ無い
しらみ潰し探す 見えないものまで
俺しか出来ないことなんだ
俺には出来ないことばっか
俺には出来ないことばっか
生きる前にわかるはず たぶん死ぬ理由もなし
幸せ感じて行くひなた gra
Ey 太陽浴びる照らされる光みたいなもんだろ
草木花それら全てが生きるための教科書
愛は重く凝り固まる 時に早く俺は早く
追い続ける ライトスペル
水飲み放題
歩く猫の名はひなた
この音楽が俺のひな壇
なるのまだか巷噂
既にあるマイク思考散らかる
自覚持ちないつも罪な俺が言うんだ
何があるか
何を飲むか誰といくか1人でもな
俺が言うんだ
13 モーニング 教えてくれる 何も聞いてないのに
暗い時 ばあちゃんtalking
愛を持ってるように
砂糖入れる俺は 甘いのが好きだから
Black man old new type flow all right?
俺たちの頭いつもフローラル ah
例えばの話とか身にもならん会話がいつも
頭巡る時俺は
吐いて捨てる唾
いつも見ているが
愛を持って今
書いて作る時間
日々にいつもあるの歌詞
耐えて笑うことが価値
泣いて悲しむのも価値
水飲み放題
- Lyricist
Artical
- Composer
made all
- Graphic Design
Artical
- Vocals
Artical
- Rap
Artical

Listen to hinat4 by Artical, made all
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remind of common sense
Artical, made all
- 1
ride on the seatbelt
Artical
- 2
re:collection
Artical, made all
- ⚫︎
hinat4
Artical, made all
- 4
tengoku escalator (feat. hutarikyouwakoku)
Artical
- 5
eat anymore
Artical
- 6
flower and tree
Artical
- 7
mustard
Artical, made all
This work is both a musical project and an archive of observation.
It examines the sensory perceptions and systems of values that people unconsciously share-frameworks often described as "common sense."Through rap, poetry, improvisational speech, and an approach informed by field recording, these frameworks are revisited and reexamined.
The focus of the creative process was not expression itself, but perception; not speaking, but noticing.
The tracks collected here are not intended as a complete narrative. Rather, they function as fragments that continue to evolve within the listener.
remind of common sense is not an attempt to return to a lost sense of normality. Instead, it is a project dedicated to rediscovering the sensations and intuitions embedded within each body.
Artist Profile
Artical
Artist Statement Yutaka Ueno My original experience as a stutterer has led me to create art using painting, rap music, programming, and video, all of which are based on the relationship between words, sounds, and the body. Words are not a means of communication, but rather a phenomenon that emerges as it stays and stumbles within me. My works are an attempt to preserve the moment when such words and sounds emerge, the movement of the body, and the events that occur when the materials themselves, such as the traces of hands and the texture of the soil, rise to the surface. In my work, I focus on fundamental themes such as soil, words, things, and phenomena, and emphasize improvisational expression. The flow of rap music, the strokes in paintings, and the movement in videos are all not symbols that carry meaning, but rather the appearance itself. There is no clear message or intention behind them. I simply record the things that appear through my own body and thoughts as phenomena, without processing them. That is the attitude with which I approach my work. The form of expression is fluid and never stays in one genre. Just as words transform into images, sounds, and movements, I aim for my work to be a phenomenon in which expression itself is constantly transforming. This is also a journey in which my crippled language,which began with my stuttering, is freely changing form as an expression. I am a member of the Crippled Language group. History of Activities (excerpts) - 2023 Exhibition of paintings at a coffee shop in Nagasaki, my hometown - January 2025: Improvisation performance using rap music and programming video at the new building of Nagaoka Institute of Design, Nagaoka, Japan Translated with DeepL.com (free version)
made all