

神泉の夜 本棚の奥
布の間から 古い音叉
机の上に 金属を置く
指で柄をつまむ 音はまだない
柄を立てて 金属を叩く
机に響く 澄んだ一音
振動が指に 残って続く
鳴らしたのは 一度だけと決める
受話器の向こう 「彼が引っ越した」
共通の声が 音叉に重なる
減衰していく 音の中で
鳴らした音を 指が確かめる
息を浅くして 音を見送る
冷蔵庫の唸り 部屋に低く
机の天板が 余韻を吸って
指先に残る 振動が消える
大和の二階 ピアノ教室
音叉を布で 包む先生
「鳴ったら待つの」と 先生の声
私の手も 同じ動きをなぞる
無音になった 机の上で
音叉はもう 二度とは叩かない
鳴らした音は 記憶へ渡す
布を広げて 包む側に立つ
音叉を布に ゆっくり巻いて
本棚の奥 元の位置へ戻す
「聞こえた」とは 誰にも伝えず
鳴らした夜を 自分で閉じる
- Lyricist
Akemi
- Composer
Akemi
- Producer
nanayon music
- Mixing Engineer
nanayon music
- Vocals
Akemi

Listen to Tuning Fork Echo by Akemi
Streaming / Download
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Tuning Fork Echo
Akemi
Tuning Fork Echo is a mid tempo city pop track that portrays a quiet evening when a woman, hearing through the receiver that a former lover has moved away, strikes an old tuning fork on her desk just once and listens to its tone fade.
An apartment in Shinsen, a tuning fork unearthed from between cloths at the back of the bookshelf, the brief words of a mutual friend, a single note slowly decaying, and the low hum of the refrigerator settling into the room create a hushed scene where she lets the sound finish without striking it again.
Performed by the fictional AI singer Akemi, the song captures the emotions of adulthood that neither calls the past back nor erases it, choosing to hand the sound she made over to memory and stand on the side that will not strike the fork twice.
Inspired by the late 1970s to early 1980s Japanese new music and urban pop, the track reimagines that era urban lyricism through images of late night desks, music classroom equipment, distant moves of former lovers, and the slender contact between a metal stem and a fingertip.
The motion of a teacher in a second-floor Yamato piano classroom, wrapping a tuning fork in cloth, returns now in her own hands.
On the silent desktop she winds the fork in cloth, returns it to its original place at the back of the bookshelf, and closes the night herself, telling no one that she heard it.
Produced by nanayon music.
Artist Profile
Akemi
A music project that reimagines the melancholic mood and nighttime glow of late 1970s to early 1980s Japanese City Pop and New Music through AI-assisted production and human direction. Akemi is a fictional singer with a backstory of being from Yamato City, Kanagawa, Japan. She sings of urban solitude, grown-up love, and bittersweet afterglow in a noir-tinged city pop sound. Lyrics, composition, vocals, and visuals are created using generative tools and curated through editing. This is an experimental project exploring the human warmth and nostalgia that can emerge from AI.
Akemiの他のリリース
nanayon music



