Tanabe-kun to Koharu-chan Front Cover

Lyric

hibari

Yushoku-Hot

止まった時計を

大事そうに抱えてたあなたは

壊れた僕を同じ腕で抱いてくれたんだ

黙った時計は

僕といっしょで寂しがりやなんかな

こっそり直したけど

動きたくないみたいなんだ

不思議な夢の中みたいだな

でもほら見て

ヒバリが鳴いて

光が差し

兵隊は静かに目を閉じ

鐘が鳴って

声が聴こえ

さあ僕たちの一日だよ

涙こらえて

哀しそうに笑ってる

あなたの代わりに僕が

後でこっそり泣いてあげるんだ

ああ、僕らは

二人わがまま同士で

それでもずっと離れられないみたいなんだ

透明な雲の中みたいだな

そろそろほら

風が凪いで

光が差し

少年は小さく瞬き

花が咲いて

声が聴こえ

さあ僕たちの一日だよ

もう目覚めたかな

風が凪いで 花が咲いて

ほら見てそろそろ動き出す

ヒバリが鳴いて

光が差し

兵隊は静かに息をして

鐘が鳴って

声が聴こえ

さあ僕たちの一日だよ

風が凪いで

光が差し

少年は小さく瞬き

花が咲いて

声が聴こえ

さあ僕たちの一日だよ

  • Lyricist

    Yu Kikuchi

  • Composer

    Yu Kikuchi

Tanabe-kun to Koharu-chan Front Cover

Listen to hibari by Yushoku-Hot

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Devotion to the Piano and the Voice

We naturally came to a point where we were doing live performances with just vocals, piano, and minimal rhythm. So, Shottan, our vocalist, said, "Why don't we release an album like that?" That's how this album came to be a reflection of the kind of sound we've been doing in our recent live shows.
I create music by first visualizing a scene and putting it into words, then composing it on the piano. First, I play the piano while coming up with the melody. Since I've always liked electronica and hip-hop (beats), I piece together various rhythms, cutting and pasting them bit by bit to form the rhythm track. Then finally, I "properly" record the vocals again. The goal is to keep as much of the original scene intact as possible.
This dedication to song and piano became intricately woven into 13 tracks without unraveling.

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