Release Date: 2026/08/13
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Composed and produced through a strict aesthetic of subtraction, this experimental track raw-samples the texture of late summer . The piece begins with the deep resonance of a temple bell, weaving the whispered breathing of cicadas with the continuous droplets of a temple's chozu (purification water font) . Layers of various overtones-including singing bowls, kalimba, gamelan, and celtic harp-were multi-tracked through keyboard improvisations based on pure harmonic intuition, completely dissolving into the final edited track .
By removing linear concepts of time, this official full-edited track accesses a state of absolute stillness-designed exclusively for deep meditation and complete silence
Ayami started composing at the age of three while studying piano and music composition, theory and harmony at the age of seven. Since then, she has grown up with music and grown up alongside it. In 2000, while studying pipe organ at university, she began her musical career composing and performing. She has expanded her field of activities to include installations in galleries, as well as event planning and performances, mainly at cafes in Tokyo. Currently based in Hiroshima, she is invited to perform at music events, performing with her unique performances on keyboard instruments such as the accordion, as well as performances using a variety of instruments and a sampler with original sound sources.
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