mermaid (feat. haino azamino) Front Cover

Lyric

mermaid (feat. haino azamino)

sumi

人魚姫を閉じる

静かな音

紙の波間に沈む

利他的な恋

やさしさばかりが

削られていく

はかなさという名の

透明な刃

誰かのために

泡になる物語

それを美しいと

言えるほど

わたし純粋じゃない

利他的恋愛

その儚さに

苛立ちを隠せない夜

愛されるより

消えることを選ぶ

その構図が

まぶしすぎて

膨らんだ布団

沈まない重さ

厚化粧の朝

塗り重ねた光

美しい服

ほどけない髪

白い躰の

無音

髪を撫でてよ

Don’t disappear for love

Don’t turn into foam

守られるための

完成形

Pretty sacrifice

Beautiful lie

傷つかないための

装飾

I’m not your saint

I’m still alive

人魚姫を閉じて

ページの端に

指を置いたまま

利他的恋愛

その儚さに

少しだけ

怒っている

髪を撫でてよ、髪を撫でてよ!

  • Lyricist

    haino azamino

  • Composer

    sumi, haino azamino

  • Producer

    haino azamino

  • Mastering Engineer

    sumi

  • Vocals

    haino azamino

  • Songwriter

    haino azamino, sumi

  • Percussion

    sumi

mermaid (feat. haino azamino) Front Cover

Listen to mermaid (feat. haino azamino) by sumi

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    mermaid (feat. haino azamino)

    sumi

この歌詞は、「自己犠牲を美しいものとして語る物語」への違和感を、かなり鋭く言語化しています。人魚姫はここで純愛の象徴ではなく、愛のために自分を削り、ついには消えていく構図のメタファーです。話者はそれをただ否定するのでなく、「まぶしすぎて」「少しだけ怒っている」と揺れながら見つめている。この揺れが良いです。後半の「膨らんだ布団」「厚化粧の朝」「ほどけない髪」は、現実の身体感覚を持ち込み、観念だったテーマを急に生活へ引きずり下ろす。だから最後の「髪を撫でてよ」は甘えではなく、生きてここにいる身体から出た切実な要求になる。理想化された犠牲より、傷つきながらも消えない生の側に立とうとする歌です。

Artist Profile

  • sumi

    Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.

    Artist page


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  • haino azamino

    Artist page

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