Damage Tape No.2

"I can't give up now." "It's not just my disability. I want everyone to know the current level of my rap." This is the second mixtape that was born from such desire. Starting with the chill boom bap of "Kakera," he talks about his worries about his disability, then the heavy trap song "Kinai ni Nai," which shows the strength of his disability. Then, with the message of his feelings that he sometimes admits "I'm actually weak," he concludes with "If you're going to make fun of me, write a thesis." After that, the submission song "Dame," which is his first Ambient Beat, mainly talks about elementary school, junior high school, and the past, and ultimately conveys a song that turns things into something positive, but on the other hand, "Communication Panic," also on Ambient Beat, he brings to the fore the pain of conversation. However, he doesn't feel that a mixtape is interesting just because of his disability, and in "We Need to Hurry," in which he expressed his desire to "get on the official playlist," he expresses his "anxiety about still being underground and struggling to sell after three years of career," aside from his disability.
But, I'm crazy.
In "Congenital Rap Syndrome," which I can say is the album that brought out the reason why I wanted to release a mixtape, he said, "I really love rap, and seeing the success of rappers like YZERR, LEX, and Kohjiya, I became positive about Japanese rap and was infected in a good way."
But, as he receives advice from beatmaker :Plue, he says, "there are still challenges to overcome."
That's why I'm blessed.
For example, if it were to suddenly go well and be over in one shot, rap wouldn't be fun.
But every time I become a fan of YZERR and Kohjiya and listen to AppleMusic, I think about this.
"Both of them have a great sense of pressure."

"YZEER's punch lines are especially awesome and cool."

As far as rapping goes, I'm still at the level I was at when I released my last album, so I'd say I'm a "Bottom Rapper."

But I have no intention of giving up.

I worked hard underground for three years to become successful.

And little by little, I gained more friends and fans.

Even when things got tough because of my disability, overseas and Japanese rap supported me.

I still have a lot to improve with my mixtape, but I'm not done.

"Actually, this was just the beginning"...