

火傷が舞う鮮やかに黒を帯び
傷は痛む 花は枯れる
あなたがいる助けての声が出ない
伏し目が刺さる気づかれてる
泣いているのはお互いいつかの
あたし 苦しい 悲しい はなし
重なりは常に偽りを孕まずに
あぁ
行き先もわからず泣くいつかの
君の頬に咲くアリウムの
花弁をちぎることなく触る
痛くはないかい だれをどこを刺したい?
また思い出す 胸を張り詰める
何気のないあなたの言いなり
枯れた花に蠅が止まっている
匂いが刺さる気づかれてる
泣いているのを励ます日々は
正解? 最善? 平和? 普通?
重なりは常に偽りを孕まずに
あぁ
今夜の宿には屋根はあるのかい
君の頬を伝う水分を
乾かすことはできるけれど
居たくはないよね でもごめんね
行き先もわからず泣くいつかの
君の頬に咲くアリウムの
花弁をちぎることなく触る
痛くはないかい だれをどこを刺したい?
- Lyricist
sumi
- Composer
sumi
- Producer
sumi
- Mastering Engineer
sumi
- Songwriter
sumi
- Adapter
sumi
- Percussion
sumi

Listen to aîné by sumi
Streaming / Download
- ⚫︎
aîné
sumi
Musikaroid Records / MSKR-SM027
Musikaroid: the decisions lyrics, composition,
arrangement, structure, and finishing - are made by
a human, and the audio realization is entrusted to AI.
Music & Lyrics: sumi
MIDI Arrangement & Mastering: sumi
Audio Realization: Suno
Visual Generation: Midjourney
Artist Profile
sumi
Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.
sumiの他のリリース
Musikaroid Records



