summer Front Cover

Lyric

summer

sumi

懐かしい思いも少し忘れた

隣り合った人の制服を見つめて思う

緑あふれる木々たちは

何に進んで葉を伸ばすのだろう

蓋をしたまま生きていた

副作用もじょじょに慣れた気になってる

手応えのある苦しみに

手を伸ばして取ってほうっての日々

間違えのないダンスを

踊るように過ぎていく日々に

ただただ幸せと錯覚して

歩んできたけど

春を忘れた嬉しさは

まだまだ気持ちを軽くしなくて

叫びたい気持ちを胸に押し込んだまま

ただ夏を待ってる

何かを探してる

新しい日々も少しは慣れた

隣り合った人のスーツを見つめて思う

間違いのない人生と

いつになったら思えるのだろう

間違えのないスケッチを

書いたはずなのにどうして

ただただ輪郭がぼやけていく

やぶれそうなページに

君を忘れた嬉しさは

うらうら桜と共に散って

叫びたい気持ちを胸に押し込んだまま

ただ夏を待ってる

何かを探してる

春を忘れた嬉しさは

まだまだ気持ちを軽くしなくて

叫びたい気持ちを胸に押し込んだまま

ただ夏を待ってる

何かを探してる

  • Lyricist

    sumi

  • Composer

    sumi

  • Producer

    sumi

  • Mastering Engineer

    sumi

  • Songwriter

    sumi

  • Adapter

    sumi

  • Percussion

    sumi

summer Front Cover

Listen to summer by sumi

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    summer

    sumi

"Natsu" (Summer)

Acoustic guitar, intentionally left with the noise of fingers and breath.

The spring after becoming a working adult glancing at the schoolchildren still in uniform beside you, dancing the dance with no mistakes through your days. The cry you want to release stays pressed in your chest, just waiting for summer. Just searching for something.

A piece by Sumi , a Musikaroid artist whose songs trace the things that pass.

Artist Profile

  • sumi

    Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.

    Artist page


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