Pudica Front Cover

Lyric

Pudica

sumi

ねぇ 正しさを持ってきてはありがとうを待っている

その手にたずさえた花束はあたしの好きな色、

匂い、形じゃない。なのになぜ

ありがとうが役目になる

わからないまま

もうずっと慣れっこだった一番じゃないことも

あたしがあたしでいられる場所ひとり探しては

まわりにだれもいない

そんな風に思っていたから今歌うよ

もしいつか映画のように変えれるなら

ぜんぶつくりたい

さけぶ くらくかなしいこと

はこぶ わすれられないこと

はしる いつかどこかへと

まもる まずあたしのこと

はぁ 愛しさの行方は渡すほうが握っている

それなのになぜ行き先を見ていないまま渡すの

ひどい、にくい、なんかじゃない

味のしない光になる

わからない

もしいつか映画のように生きれるなら

あなたに会いたい

うたう 伝えられないこと

わたす つらくかなしいこと

とまる いつかどこかへと

まもる 次は君のこと

  • Lyricist

    sumi

  • Composer

    sumi

  • Producer

    sumi

  • Mastering Engineer

    sumi

  • Vocals

    sumi

  • Songwriter

    sumi

  • Adapter

    sumi

Pudica Front Cover

Listen to Pudica by sumi

Streaming / Download

  • ⚫︎

    Pudica

    sumi

Musikaroid Records / MSKR-SM026

In the morning light, after the night has passed.

Musikaroid: the decisions - lyrics, composition,
arrangement, structure, and finishing - are made by
a human, and the audio realization is entrusted to AI.

Music & Lyrics: sumi
MIDI Arrangement & Mastering: sumi
Audio Realization: Suno
Visual Generation: Midjourney

Artist Profile

  • sumi

    Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.

    Artist page


    sumiの他のリリース

Musikaroid Records

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