

グラスの中のアイスが
溶けてしまうまでは
見ないふりする
スーツを置いてリズムに合わせ
明日も見ないふりする
重いヘルツで
心が浮いて
真っ赤な数字も
あの子のリップも
ほんとにどうでもよかった
あたしがあたしでいられるための
必要でも嫌いなもの
低いヒールは
踊りにくくて
思い出す
夕暮れまで野原をかけ
まわって
よく小枝を踏んでしまったこと
赤くにじんで
痛くて泣いてた
立派なステップで
日々を超えて
振り返って気づいたこと
真っ白な今までの道に
いくつもの好きなこと
高いゆびわも
欲しくはなくて
朝まで
踊り踊ってるような人生に
私は
このままが続けばいいと思えて
低いヒールじゃ
踊りにくくて
裸足で
ありのままの素直なステップで
世界が
私の一部になって見えて
世界は
どうもひどく単純なリズムで
誰もが
踊り踊れるようなリズムで
一つになれるようなリズムで
誰かと共に
踊れるように
低いヒールと
スーツを持って
- Lyricist
sumi
- Composer
sumi
- Producer
sumi
- Mastering Engineer
sumi
- Songwriter
sumi
- Adapter
sumi
- Percussion
sumi

Listen to dizziness by sumi
Streaming / Download
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dizziness
sumi
グラスの中のアイスが溶けてしまうまでは
見ないふりするスーツとリズム。
低いヒールじゃ踊りにくくて、裸足で
ありのままの素直なステップで、
世界が私の一部になって見える一曲。
Artist Profile
sumi
Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.
sumiの他のリリース



