Terminal Front Cover

Lyric

Terminal

sumi

明日にはどこか知らないとこに行こう

まっさらな地図に塗りたくる逃避行

それは今はわかりもしなくてむしろ今は知らなくてよくて

確かな今だけを追いかけていこう

少しでは済まないくらい不安だろうけど

ターミナル どこかの国の人の声がする

わからない はわかるの足跡の続き

違いはあまりないのさ 君は見えている

怖いはあるだろうけど 共に踏み出せる

チケットはもう手のひらにあるんだよ

もし本当にわからないことがあるのなら

僕らにはまだ見えていないはずだから

未決定な明日から今までを辿れば

足元の今にまで続いてるはずさ

だから怖くはないってことではないけど

ターミナル そのあなたの凛とすんでいる

声が聞きたいんだ 意味を見出せる

未決定な思惑にも道が見えてくる

チケットはもう手のひらにあるんだよ

ターミナル どこかの国の人の声がする

わからない はわかるの足跡の続き

違いはあまりないのさ 君は見えている

怖いはあるだろうけど 共に踏み出せる

チケットはもう手のひらにあるんだよ

  • Lyricist

    sumi

  • Composer

    sumi

  • Producer

    sumi

  • Mastering Engineer

    sumi

  • Songwriter

    sumi

  • Adapter

    sumi

  • Percussion

    sumi

Terminal Front Cover

Listen to Terminal by sumi

Streaming / Download

  • ⚫︎

    Terminal

    sumi

Musikaroid Records / MSKR-SM025

The final track of "One Night" - a four-song cycle that
began at dusk and arrives at its last station.

Musikaroid: the decisions - lyrics, composition,
arrangement, structure, and finishing - are made by
a human, and the audio realization is entrusted to AI.

Music & Lyrics: sumi
MIDI Arrangement & Mastering: sumi
Audio Realization: Suno
Visual Generation: Midjourney

Artist Profile

  • sumi

    Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.

    Artist page


    sumiの他のリリース

Musikaroid Records

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