

神様どうか
ボクを呪って
くれませんか
毎日
死にたいって言って
しぶとく生きてます
この世の全てに
嫌われてる
気がするんです
世界を
救ってくれませんか
時をさかのぼれば
やり直せるのかい
中学生の頃に
戻りたいな
世界を
消してくれませんか
アーメン
どうかボクを
生かして
くれませんか
神様どうか
ボクを呪ってくれませんか
毎日
死にたいって言って
しぶとく生きてます
この世の全てに
嫌われてる
気がするんです
世界を
救ってくれませんか
駅の階段
ひとりぶん空いた影
ぬるい缶の水が
やけに苦くて
笑えない夜を
数えて
また朝を
やりすごす
「大丈夫」って言葉より
黙って
隣にいてほしい
毎日
死にたいって言って
しぶとく
生きてます
消えたい気持ちに
名前を
つけてよ
呼べるなら
少しは
楽になるから
世界を
救ってくれませんか
ボクの
代わりに
世界を
救ってくれませんか
壊れた
ままでいい
世界を
救ってくれませんか
ボクの夜を
終わらせて
もしも明日が
少しだけ優しくて
コンビニの袋
軽く持てたなら
それだけでいい
それだけでいい
消えたい夜でも
朝は
来てしまうから
神様どうか
ボクを呪ってくれませんか
毎日
死にたいって言って
しぶとく生きてます
この世の全てに
嫌われてる
気がするんです
世界を
救ってくれませんか
世界を
救ってくれませんか
ボクを
救ってくれませんか
- Lyricist
bluesky-Line
- Composer
bluesky-Line
- Mastering Engineer
bluesky-Line
- Guitar
bluesky-Line

Listen to It Feels Like The Whole World Hates Me by bluesky-Line
Streaming / Download
- ⚫︎
It Feels Like The Whole World Hates Me
bluesky-Line
E
"This World Feels Like It Hates Me" is a song about nights where you want to disappear but cannot fully let go.
The sound blends everyday loneliness urban noise and emotional isolation into music.
The lyrics portray the feeling of saying "I want to die" while somehow continuing to survive anyway.
Station stairways
Plastic convenience store bags
Warm canned water at night
Instead of dramatic despair the song focuses on small hidden pain that quietly exists inside ordinary life.
The title "This World Feels Like It Hates Me" represents the feeling of never being fully understood and the loneliness of feeling silently rejected by the world.
It carries the contradiction of wishing for salvation while never finding a place to belong.
Heavy bass broken swing glitch textures silence and empty space all coexist inside the track.
I hope this song stays with someone during lonely nights.
Artist Profile
bluesky-Line
ShiRo is an independent artist based in Japan. On the way home at night, the slope leading to the station, the white light of vending machines, the warmth of your breath these scenes lying at the edges of daily life are carefully gathered between the textures of lo-fi/chill and JPOP-like melodies. Rather than stating things outright with grand words, he values preserving the contours of unspeakable feelings and the length of silences through sound. He began creating music because moments grew more frequent when emotions surfaced unexpectedly at night, too vast to be fully contained by words alone. The lingering resonance spilled over from short social media posts, the small tremors held inside without telling anyone. He felt that by encapsulating these within the timeframe of a song, he could gently pass them into the hands of someone else experiencing a similar night. ShiRo's music doesn't force answers upon the listener. Instead, it gently illuminates the things that glow belatedly deep within the heart. Soundwise, I build a mix with a tactile feel using a round kick, a restrained snare, a slightly swaying hat groove, layers of Rhodes or muted piano, and just a hint of tape wobble or airiness. He believes slight misalignments and breathing space resonate more deeply with the listener's heartbeat than perfectly aligned beats. Another signature is slipping in a chord that shifts color within a loop, or a note that enters a beat late. It paints those moments of sudden, inexplicable tightness in the chest those emotions without reason as shadows within the sound. His production process centers around a DAW, handling performance, programming, and editing entirely solo. Recently, I've also incorporated generative AI as another brush in my palette. Rather than relying solely on AI, I extract, select, refine, and rearrange the material, finally shaping it to my own touch. For instance, I might try dozens of variations on a single melodic phrase, search for pauses that mimic the inflection of speech, or determine the temperature of a season by how reverb lingers. While AI provides more starting points, my stance remains unchanged: ultimately, it's always my own memories and emotions that define the core of a song.
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