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The new single from The Structures, a music project by composer Yusei Koga.
The more we connect through social media and the more we scroll, the more we feel a sense of alienation and loneliness. This track transforms that disconnection and the reality of a society flooded with SNS, where even someone's cry can be buried, into a danceable beat.

The song is built around jazzy electro-swing elements, supported by a deep, EDM-inspired core sound that is sure to become addictive after just one listen.

Going deliberately against current musical trends, the track follows a traditional four-minute structure with repeated A, B, and C sections. This classic composition enhances the strong and irony-filled message within the music.

Listeners should also pay attention to the sharp and satirical word choices woven throughout the lyrics, including phrases like "age of full exposure", "buzz zombies", and "aesthetic addicts".

In today's world, where the noise of SNS has made it difficult to judge right from wrong, most information ends up as meaningless static. Even though there are real people behind the screens, we still try to measure emotions with "likes".

The lyrics express a raw and human feeling with the line, "Why should the loudest voice be seen as the righteous one"
Sung by Synthesizer V Teto Kasane, the track offers a sincere look into the contradictions of modern digital life.

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Artist Profile

  • The Structures

    Yusei Koga's Music Project Inspired by US chart-topping "Pop," "EDM," and "Future Bass," Yusei Koga creates a unique sonic landscape that blends rich synth sounds with an urban yet organic feel. Collaborating with international artists, he releases music aimed at a global audience. He began his musical career in 2020 with the release of his debut album "By myside." In 2021, his single "Illusion" was nominated as a semi-finalist in the "International Songwriting Competition 2021," marking a major achievement. Yusei discovered his passion for music at the age of 15 when he started playing guitar. He covered "J-pop" and "Western music from the '70s" and played in bands with friends. Even after entering the workforce, he continued performing in bands. In 2020, when he decided to fully pursue music as a career, he transitioned to his current style. Building on the foundation of his band experience, Yusei now produces sophisticated tracks using "DTM" (desktop music production), combining musical sensibility with high-level production techniques.

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