

廃れた空の下私は見惚れていた
確かに過ぎていった思い出ばかりに
どれもが悲しかったはずだが綺麗に見えた
やがては消えるのか 夕陽みたいに
どうしたってやるせない今は
もうどの思い出も鮮やかに模って
しまったんだ 情けない
腕に空の赤色が薄く滲んでる
使い捨ての古い物差し
繋いでたはずの手の小指
フレーフレーと絶えぬ言葉に
すれすれの私が笑顔でこたえる
伝えた思いばっか浮いては消えていった
はなしたくなかった思い出ばかりだ
どれもが愛おしかったはずだが消えていった
生きるしかなかった 一人で ひとりで
どうしたって取り消せない過去を
償うように軽やかに踊って
傷んだままの 踵が
立ち止まることを許してくれなくて
冷静な君の瞳の
泥濘に映る燃える色
丁寧に折る諦めで
完成したはずの私の紙飛行機
使い捨ての古い物差し
繋いでたはずの手の小指
フレーフレーと絶えぬ言葉に
すれすれの私が笑顔でこたえる
- Lyricist
sumi
- Composer
sumi
- Producer
sumi
- Mastering Engineer
sumi
- Songwriter
sumi
- Adapter
sumi
- Percussion
sumi

Listen to scarlet by sumi
Streaming / Download
- ⚫︎
scarlet
sumi
Under a fading evening sky.
Every memory that passed should have been a sad one -
yet somehow, they looked beautiful. The red of the sky
bleeding faintly into her arms. A paper plane, completed
by carefully folded resignation.
Between letting go and being entranced.
The 21st single by sumi.
Artist Profile
sumi
Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.
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