Keiongaku Front Cover

Lyric

Gone Girl

Aftersoul

「京都へ行こうよ 、ギターを持って。明日の正午私を摘んで。」

慌てて取り込む洗濯物に わたぼうしの不時着

あっけなくあの娘は咲いていた 芝生に寝転び悲鳴を上げた

チェックの裏地のオーバー越しに 昨夜の雨に濡れたあの娘

ペンタトニックガール

もう此処には居ない、ゴーンガール

あの娘のギターは平凡だった 誰の曲かは知らないけれど

敢えて尋ねる事は無かった 何となくね

ローファのかかと踏んだまんま あっけなく恋は去って行った

ランプの灯とハイネの瓶 面影炸裂三秒前

ペンタトニックガール

もう此処には居ない、ゴーンガール

ペンタトニックガール

もう此処には居ない、ゴーンガール

来いって言ったら来るし

飲めって言ったら飲むし

脱げって言ったら脱ぐけれども

何にも言う事聞かないあの娘

ペンタトニックガール

もう此処には居ない、ゴーンガール

ペンタトニックガール

もう此処には居ない、ゴーンガール

ペンタトニックガール

もう此処には居ない、ゴーンガール

ペンタトニックガール

もう此処には居ない、ゴーンガール

  • Lyricist

    Yamada Ryoichi

  • Composer

    Yamada Ryoichi

  • Producer

    Aftersoul

  • Guitar

    Yamada Ryoichi, Tanaka Kohei

  • Bass Guitar

    shimizuyu

  • Drums

    NIKIDRUM

  • Vocals

    Yamada Ryoichi

Keiongaku Front Cover

Listen to Gone Girl by Aftersoul

Streaming / Download

  • 1

    Saitei No Futari

    Aftersoul

  • 2

    Goraku

    Aftersoul

  • ⚫︎

    Gone Girl

    Aftersoul

  • 4

    Ogensho

    Aftersoul

  • 5

    Utsukushii Ahiru

    Aftersoul

  • 6

    Orutana Kun

    Aftersoul

  • 7

    Kotoba No Bouryoku

    Aftersoul

  • 8

    Aventure

    Aftersoul

  • 9

    Zen No Yado

    Aftersoul

The first full-length album released under the name After Soul, following the change from "Ryoichi Yamada and After Soul" to "After Soul."
The album features the first official recordings of songs that have long brought the band's live shows to life, including "Goraku," which sings of the loneliness that entertainment can never quite fill, no matter how completely it surrounds us, as well as the yearning of falling in love and the frustrations of love itself; "Orutana Kun," which cries out over a direct, driving bass riff with all the conviction and affection that come with embracing an alternative identity; "Zen no Yado," which reveals the happiness shared by two lovers alone, fraught with contradictions and shadowed by its own fragility; "Kotoba no Bouryoku," which hurls words at those who run their mouths from the sidelines, as if to say, "I've finally had enough"-"You idiots, die, and vanish into emptiness"; and "Ogensho," whose seemingly opposing sounds and lyrics poignantly capture the perspective of a protagonist watching a radiant couple from the sidelines.
The album also includes new recordings, with the current lineup, of songs that have become live staples. Among them are "Aventure," whose lyrics may initially seem to depict a fleeting affair, yet reveal a multitude of themes the deeper one reads, offering a richness of language that resists any single interpretation; "Gone Girl," which weaves words around a distinctive pentatonic refrain, evoking a mysterious girl who is no longer here, with a deft interplay of language and sound; and "Saitei no Futari," in which the desire to proclaim a modest, tender love to the world-even if society might consider it the lowest of the low-is sung over a guitar sound that is both direct and razor-edged.
Catchy throughout, yet intricately crafted in every respect, from its words and melodies to its arrangements, this is a landmark work in Japanese rock.

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