Keiongaku Front Cover

Lyric

Aventure

Aftersoul

指の付け根の骨

こつりこつり触れる

彼は渦中の栗を正しく拾えるか

二人にみすぼらしい

自由をくれた部屋で

泡沫が泡沫を忘れない様に身を清める

大嘘つきのあの人と一晩中 枕投げして笑う

アバンチュールは 青春を介さない修学旅行みたいさ

往々、朝が来りゃ 交渉道理、他人同士そっぽ向いて帰りましょう

アバンチュールは 初恋をからかう様に吹くビル風みたいさ

後悔に手を引かれ

歓楽街を行く

傀儡を憐れむ、誰もそんな目つき

孤独を恐れるがあまり

独りですらなくなり

自己愛とのディナーは、貪る程に渇き餓える

大嘘つきのあの人と一晩中 枕投げして笑う

アバンチュールは 青春を解さない修学旅行みたいさ

往々、朝が来りゃ 交渉道理、他人同士そっぽ向いて帰りましょう

アバンチュールは 初恋をからかう様に吹くビル風みたいさ

巨大な浴槽は 二人の身に余り

アメニティの愛の唄は二人を包まない

雄だか雌だかも 解らない化物と

情交か自慰かも解らない遊戯繰り返す

大嘘つきのあの人と一晩中 枕投げして笑う

アバンチュールは 青春を返さない修学旅行みたいさ

往々、朝が来りゃ 交渉道理、他人同士そっぽ向いて帰りましょう

アバンチュールは 初恋をからかう様に吹くビル風みたいさ

大嘘つきのあの人と一晩中 枕投げして笑う

アバンチュールは 青春を介さない修学旅行みたいさ

往々、朝が来りゃ 交渉道理、他人同士そっぽ向いて帰りましょう

アバンチュールは 初恋をからかう様に吹くビル風みたいさ

  • Lyricist

    Yamada Ryoichi

  • Composer

    Yamada Ryoichi

  • Producer

    Aftersoul

  • Guitar

    Yamada Ryoichi, Tanaka Kohei

  • Bass Guitar

    shimizuyu

  • Drums

    NIKIDRUM

  • Vocals

    Yamada Ryoichi

Keiongaku Front Cover

Listen to Aventure by Aftersoul

Streaming / Download

  • 1

    Saitei No Futari

    Aftersoul

  • 2

    Goraku

    Aftersoul

  • 3

    Gone Girl

    Aftersoul

  • 4

    Ogensho

    Aftersoul

  • 5

    Utsukushii Ahiru

    Aftersoul

  • 6

    Orutana Kun

    Aftersoul

  • 7

    Kotoba No Bouryoku

    Aftersoul

  • ⚫︎

    Aventure

    Aftersoul

  • 9

    Zen No Yado

    Aftersoul

The first full-length album released under the name After Soul, following the change from "Ryoichi Yamada and After Soul" to "After Soul."
The album features the first official recordings of songs that have long brought the band's live shows to life, including "Goraku," which sings of the loneliness that entertainment can never quite fill, no matter how completely it surrounds us, as well as the yearning of falling in love and the frustrations of love itself; "Orutana Kun," which cries out over a direct, driving bass riff with all the conviction and affection that come with embracing an alternative identity; "Zen no Yado," which reveals the happiness shared by two lovers alone, fraught with contradictions and shadowed by its own fragility; "Kotoba no Bouryoku," which hurls words at those who run their mouths from the sidelines, as if to say, "I've finally had enough"-"You idiots, die, and vanish into emptiness"; and "Ogensho," whose seemingly opposing sounds and lyrics poignantly capture the perspective of a protagonist watching a radiant couple from the sidelines.
The album also includes new recordings, with the current lineup, of songs that have become live staples. Among them are "Aventure," whose lyrics may initially seem to depict a fleeting affair, yet reveal a multitude of themes the deeper one reads, offering a richness of language that resists any single interpretation; "Gone Girl," which weaves words around a distinctive pentatonic refrain, evoking a mysterious girl who is no longer here, with a deft interplay of language and sound; and "Saitei no Futari," in which the desire to proclaim a modest, tender love to the world-even if society might consider it the lowest of the low-is sung over a guitar sound that is both direct and razor-edged.
Catchy throughout, yet intricately crafted in every respect, from its words and melodies to its arrangements, this is a landmark work in Japanese rock.

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