

売れる曲も2桁
埋めるバース
もう何年やったの?
それもすでにもう2桁
0が増えるたび
乗るビートに
ロリロリローリング
0が増えるたび
乗るビートに
ロリロリローリング
売れる曲をつくりたくて
増える金持ちきれなくて
あの札束の重みが
忘れらなくて…
One for the money
Two for the money
Three for the money
Four for the money
金がすべてじゃないと
言うけれどもまやかしだ
売れる曲も2桁
埋めるバース
もう何年やったの?
それもすでにもう2桁
0が増えるたび
乗るビートに
ロリロリローリング
0が増えるたび
乗るビートに
ロリロリローリング
ケロケロボイス
かねくれぼーい
かみかねボーイ
かみかねがーる
おーなーのめが金に
欲にまみれた猛者
Money money money
Money money money
OK!
売れる曲も2桁
埋めるバース
もう何年やったの?
それもすでにもう2桁
0が増えるたび
乗るビートに
ロリロリローリング
0が増えるたび
乗るビートに
ロリロリローリング
- Lyricist
RENZAN, microM
- Composer
RENZAN, microM
- Producer
Taiki Kusunoki
- Vocals
RENZAN, microM

Listen to Hit song 12 (feat. microM) by RENZAN
Streaming / Download
- 1
Hit Song 8 (feat. microM & KOTA)
RENZAN
- 2
Hit song 9
RENZAN
- 3
Hit song 10 (feat. Karesansui)
RENZAN
- 4
Songs that don't need to sell 2
RENZAN
- 5
Hit Song 11 (feat. PONEY & microM)
RENZAN
- ⚫︎
Hit song 12 (feat. microM)
RENZAN
- 7
Hit Song 13 (feat. Boss Kimura)
RENZAN
- 8
Selling Conversation 2
RENZAN
"What makes a song a hit?"
This album doesn't answer that question, but rather explores the question itself.
On the lead track, "Sellable Songs 11," Renzan, Poney, and microM each deconstruct the term "sellable" from their own perspectives, set to a jazz beat by Yusuke Nakamura. Is it about creating for others, or honing oneself? If the accumulation of these experiences ultimately reaches someone's heart, can that really be called "selling"?
The core question of this work is encapsulated here.
The album portrays neither a formula for success nor a success story. It depicts the attitude of continuing to make music while facing the realities of numbers, reviews, controversy, and tie-ups without being consumed by them.
Through the chemistry of jazz, conversation, experimental compositions, and multiple guest appearances, the "Sellable Songs" series evolves into a more three-dimensional story.
This is not an album "made to sell."
But still, the reasons why it might sell are clearly evident.
