

ターミナル駅 人混みの中
身を委ねてる
足早に過ぎ去る人波に
上手く馴染んでる
いつも苦心した意固地な優しさは
あなたに言わせれば
正しぶりたくて押しつけていただけ
それじゃ嫌なのね
俺はいつもの場所を
ぐるぐるパトロール中
そろそろこっから連れ出して
なんだか全てをほっぽって
ここから逃げ出したい
逃げ出したい
誰にもわからない場所へ
誰一人わからない理由で
違和感を見つけて心が
剥がれてくよな
瞬間を見つめて二人の
不可能さを識る
素直に喋れないのを
言い訳にするのは
かなり微妙じゃない?
決まりきった中から選びたい
裏切られたら…
その目を真っ直ぐ
見ることができない…
でもここから私を連れ出して
近づくほどピントがずれてく
それでも
ほんの少し分かり合えたなら
遠くまで行けるのかな
ターミナル駅 人混みの中
違和感を見つけて心が
剥がれてくのを/誰かが来るのを
待っていたくない/待っていたい
もう少し試したい
今すぐ
近づくほど/全てをほっぽって
ピントがずれてく/ここから
逃げ出したい
それでも
ほんの少し/君にも
分かり合えたならわからない場所へ
遠くまで/僕らの
行けるはず/感情にはきっと
離れてみても/探してみても
ぼやけて見えない/理由なんかない
僕らの
答え持ち寄って/答えを一度
話をしようよ/諦めにいこうよ
目的地探して
- Lyricist
Harunobu Tamura, Kana
- Composer
Harunobu Tamura, Kana
- Producer
171

Listen to Intersection by 171
Streaming / Download
- 1
Go Go Little Cub
171
- 2
We, in the Gray Zone
171
- 3
Time Capsules
171
- ⚫︎
Intersection
171
- 5
Lenticular
171
- 6
Don't Hate the Internet
171
- 7
Internet Killed The Internet Star
171
- 8
Suagari
171
- 9
Goodbye, Our Passo
171
- 10
Passengers
171
- 11
At the End of the Drive
171
171 (inaichi) is a band active on Route 171.
This, their 3rd full album, is their first work since all the members became working adults.
The album was completed by the members alone, from mixing, recording, and production to submission, and is an extremely ambitious work of unprecedented quality.
The catchphrase for the previous album was "no songs left out," but this time it is " all songs are singles"!
Production Period: June 2022 - April 2023
Location: Studio 246 WEST / Studio 246 JUSO / music studio Hanamauii / Sound Studio BeatFree Saiin / music studio Antonio / BASS ON TOP Osaka Umeda / home
Recording Staff: Harunobu Tamura / Morimori / Kana
Mixing & Mastering: Harunobu Tamura
Support: Mr. Nishimura, Studio 246WEST / everyone at Studio 246WEST
Jacket / lyric card production: Kana
Schedule management: Morimori
Driving: Morimori
First MORI CAR: TOYOTA PASSO
Second MORI car: NISSAN TEANA
Artist Profile
171
171 (inaichi) is a new age rock band based on Route 171, which runs through Kyoto-Osaka-Hyogo. The three-piece sound is created by Tamura's unusually solid guitar and emotional shouts, kana's destructive bass, and MORIMORI's passionate drums, and her high tone voice that makes the songs pop. The unadorned lyrics, sentimental melodies, and wild yet meticulous instrumentation are reminiscent of the heyday of rock music, while at the same time sharply penetrating into the daily lives of today's youth. Their energetic and explosive performances have earned them solid support from the live house scene, and they have already gained popularity among early-earning listeners, with a string of restricted admission at circuit festivals and sold-out one-man shows at Shindaita FEVER / Teradacho Fireloop and other venues. The band has already gained popularity among early listeners. The most popular band in the indie music world, with a growing influence nationwide beyond the 171.
171の他のリリース