

Ring Ring Ring
Ring Ring Ring
Please call me tonight
ひとりきりの 部屋のすみ
時計ばかり 見ているの
あなたからの たったひと言
それだけで 夢みたい
昨日くれた あの笑顔
信じていいの? ねえ本当?
ダイヤルには 指をのせて
また今日も 戻したの
Ring Ring Ring テレフォン
Ring Ring Ring 会いたい
Ring Ring Ring お願い
Please Please Call Me
Ring Ring Ring テレフォン
Ring Ring Ring I need you
Ring Ring Ring お願い
Please Please Call Me
街の灯り にじむころ
胸の奥が 熱くなる
強がりなら もう言えない
好きなのよ あなただけ
もしもベルが 鳴ったなら
泣いてたことは かくすけど
最初の声を 聞いたなら
きっと涙が こぼれちゃう
Ring Ring Ring テレフォン
Ring Ring Ring 会いたい
Ring Ring Ring お願い
Please Please Call Me
Ring Ring Ring テレフォン
Ring Ring Ring I love you
Ring Ring Ring お願い
Please Please Call Me
Ring Ring Ring テレフォン
Ring Ring Ring 止まらない
Ring Ring Ring この恋
Please Please Call Me
Ring Ring Ring
Please Please Call Me
Ring Ring Ring
涙のテレフォン・ベル
- Lyricist
Yoshinori Amagi
- Composer
Yoshinori Amagi
- Producer
Yoshinori Amagi
- Co-Producer
Kouji Ohno
- Mastering Engineer
Kouji Ohno
- Vocals
The Baby Blues

Listen to Namida no Telephone Bell (feat. The Baby Blues) by Flashback Factory
Streaming / Download
- ⚫︎
Namida no Telephone Bell (feat. The Baby Blues)
Flashback Factory
"Namida no Telephone Bell" is the new single from three-member girl group The Baby Blues.
The song brings the simple, unforgettable melodies and romantic excitement of 1960s American girl-group pop vividly back to life through the glamorous digital sound of the late 1980s.
Shimmering synthesizers, brilliant brass, and a sparkling arrangement reminiscent of neon lights illuminating the city at night create the backdrop for a bittersweet story: a girl waiting endlessly for the telephone to ring.
Alone in a quiet room, she watches the hands of the clock move forward. Remembering the smile he gave her yesterday, she reaches for the receiver, only to pull her hand away before finding the courage to call. She wants to hear his voice. She wants to see him. Yet she cannot bring herself to make the first move. That restless longing is captured in the instantly memorable phrases "Ring Ring Ring" and "Please Please Call Me."
The chorus uses short, repeated lines to evoke the direct, irresistible charm of a classic 1960s pop single. At the same time, its spacious stereo production, glossy synthesizers, vibrant brass, and dramatic rhythm give the track the energy and presence of a late-1980s cover version.
Sweet and nostalgic, yet somehow fresh, the song blends the innocent excitement of first love with the loneliness of a late-night vigil. It is romantic pop in the unmistakable style of The Baby Blues.
Staring at a silent telephone and waiting for the one voice she longs to hear, the heroine remains suspended between hope and uncertainty. "Namida no Telephone Bell" transforms that universally familiar moment of being in love into a vivid, sparkling, and bittersweet pop song.



