

抜け出した真夜中の公園で
君と二人で座って眺める川の月
僕らって鳥籠の中で
閉じ込められている鳥のようねって
もっと広くて明るい世界がきっと
ちょっと遠くてこことはまるで違う未来へ
二人ならいけると信じてたんだ
川の月は揺らいでいく
東京は雨
スーツ着て
堂々と歩くふりをして
思い出すあの夜の記憶
まだあの公園の中で
改札抜けた人の隙間で
僕は一人で俯いて息を吸い込んで
慣れない街の明かりさえ
どこか優しく光って見えていたのに
ずっと向こうへ君は歩んでいたように
なぜか思えて追いかけるように
走ってみたけれど
見つからないまま
ああ、そらの月が滲んでいく ねぇ
東京は雨
スーツ着て
堂々と歩くふりをして
思い出すあの夜の記憶
まだあの公園の中で
もしもあの時
手を離さずにいられたなら
今も同じ空を見上げて
迷わずにいられたかな
答えなんていらないよ
ただ君の声を
もう一度聞きたかった
東京は雨
スーツ着て
強がるたびに滲む影
消えないまま残る記憶
まだあの公園の中で
- Lyricist
sumi
- Composer
sumi
- Producer
sumi
- Mastering Engineer
sumi
- Percussion
sumi

Listen to rain by sumi
Streaming / Download
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rain
sumi
真夜中の公園で、川の月を眺めた二人。
鳥籠から出たはずが、東京は雨、スーツ着て
堂々と歩くふりをして、まだあの公園の中。
もしもあの時、手を離さずにいられたなら。
16th single「rain」。
Artist Profile
sumi
Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.
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