

海沿いのあの道 セピア色した午後
春の風のように 僕を通り過ぎる
君を見ていた 君を見ていた
何気ない言葉をたどって たどり着く二人の箱庭
ただ溜め息だけが残って 何にも言えなかったあの頃
壊れた古い時計 ホコリかぶったレコード
いつかの空置いて 季節は移り変わる
違う景色の 同じ世界で
忘れかけた手のひらの傷 指でそっとで確かめてみる
何もかも分かったつもりで 何にも知らなかったあの頃
優しい雨の中 僕らふいに出逢う
懐かしい匂いの風 君はそっと微笑む
とても静かな 長いひととき
- Lyricist
mouscream
- Composer
mouscream
- Producer
mouscream
- Mixing Engineer
mouscream
- Mastering Engineer
mouscream
- Programming
mouscream

Listen to Ano Koro (Neo City Pop Ver.) by mouscream
Streaming / Download
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Ano Koro (Neo City Pop Ver.)
mouscream
"Ano Koro" is reimagined with a new Neo City Pop arrangement.
A seaside road, a sepia-toned afternoon, and memories of "you" and "me" resurfacing across the passing seasons. While preserving the warmth, nostalgia, and quiet melancholy of the original, this new version reshapes the song with a more polished urban groove and a richer, more colorful sonic palette.
Maj9th chords and other extended harmonies bring a soft sense of warmth and suspension, while the rhythm stays light and understated, creating a gentle flow rather than pushing too hard. The aim was to create something nostalgic without becoming purely retro - a sound that seems to drift somewhere between the past and the present.
At the heart of the song is a quiet longing for those days when we thought we understood everything, while in truth knowing almost nothing.
(Dedicated to Flipper's Guitar.)
A track for late-afternoon drives, reading, quiet evenings, or simply taking a moment to look back.
Vocals on this track were created using Synthesizer V AI Ayame.
Artist Profile
mouscream
Music that gently keeps you company on days when it's hard to be honest with yourself. Grounded in 70s-90s Japanese pop, I create genre-fluid music that weaves together elements of City Pop, Neo-Acoustic, Funk, and Jazz at times expanding into full orchestral and big-band arrangements. My sound features nostalgic melodies with a subtle, unexpected twist, paired with lyrics that offer a philosophical perspective. While vocals are primarily powered by Synthesizer V AI Ayame, I also step behind the microphone myself on select tracks.
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