Cassette Gadget 3 1985-1987 Front Cover

Lyric

Hammerklavier

Iwashita Keisuke Sardine

サッと階段 駆けのぼれ

登りつめたら 息を詰め

なめらかに滑るのだ しくじらぬように

きっと今夜は眠れない

明日のことが気になって

痙攣する指先を止めてよ、ナイチンゲール

この重い空気は いったい何なんだろう

誰がぼくに期待するもんか

弾く前に祈る ひたすらに願う

ぼくの意志のまま 動いてください

ずっと考え続けてた

窓の端に腰をかけて

ひどく華奢で細い腕をふり回しながら

きっと明日をしくじれば

まるで信用なくすのさ

もっとぼくは厚かましさが欲しいよ、マチルダ

空まわりしている 息が詰まりそうだ

どうか力を与えておくれ

弾く前に祈る ひたすらに願う

ぼくの意志のまま 動いてください

タバコを吸うとさ 指先が冷えるって

知ったことじゃないぜ、ルードヴィッヒ

ルードヴィッヒ!

弾く前に祈る ひたすらに願う

ぼくの意志のまま 動いてください

弾く前に祈る ひたすらに願う

ぼくの意志のまま 動いてください

弾く前に祈る ひたすらに願う

ぼくの意志のまま 動いてください

  • Lyricist

    Iwashita Keisuke Sardine

  • Composer

    Iwashita Keisuke Sardine

  • Producer

    Iwashita Keisuke Sardine

  • Recording Engineer

    Iwashita Keisuke Sardine

  • Graphic Design

    Iwashita Keisuke Sardine

  • Keyboards

    Iwashita Keisuke Sardine

  • Synthesizer

    Iwashita Keisuke Sardine

  • Vocals

    Iwashita Keisuke Sardine

  • Piano

    Iwashita Keisuke Sardine

Cassette Gadget 3 1985-1987 Front Cover

Listen to Hammerklavier by Iwashita Keisuke Sardine

Streaming / Download

  • 1

    Baby Understand

    Iwashita Keisuke Sardine

  • 2

    Bitter Sweet Memories

    Iwashita Keisuke Sardine

  • 3

    The Long Absence

    Iwashita Keisuke Sardine

  • 4

    Girl Hunt '84 in the city, on the beach

    Iwashita Keisuke Sardine

  • 5

    Don't Destroy

    Iwashita Keisuke Sardine

  • 6

    Too many lovesongs, who's listening?

    Iwashita Keisuke Sardine

  • 7

    Kiss for Anthony

    Iwashita Keisuke Sardine

  • ⚫︎

    Hammerklavier

    Iwashita Keisuke Sardine

  • 9

    My Girlfriend

    Iwashita Keisuke Sardine

  • 10

    Long Long Sunday

    Iwashita Keisuke Sardine

  • 11

    Music in the Air

    Iwashita Keisuke Sardine

The third installment of the Cassette Gadget series features recordings from two periods: 6 tracks from Tokyo in 1985 and 5 tracks from Kumamoto in 1987.
The album from between, 1986, is included on the masterpiece "Everything/Nothing."
1985 was when I reached his mental and technical limits, and 1987 was when I was questioning the very concept of home recording. That's why I don't like the works from these two years very much, but although the collection lacks cohesion, each song has its own appeal when viewed individually. Even at their worst, Iwashi's music has always been pop. I want you to listen without prejudice.
P.S. I am no longer a smoker.

Artist Profile

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