

広いベッドに沈もう
別に無くなるわけ
じゃないだろ
黄色い窓眩しいけど
手はタバコで空きが
Vibing at my own pace
広いベッドでTalking
Just vibing at a slow pace
ベロより速い頭Lowで
My homie wanna make it low key
それとは逆High key
でかいスーツケースに詰め込み放棄
次に回すLike the jerking
あくび寝る準備
明るい窓カーテン遠い
Yeah
Traffic still in ma head
通勤ラッシュを家で
どうでも良くねえ
さ迷う魂 Walking dead
今日死んでも明日もrace
請求する眠り
明日また来るnew thangs
書留して待つ机で
今は眠いムード落として
誰かカーテンを閉めて
広いベッドに沈もう
別に無くなるわけ
じゃないだろし
黄色い窓眩しいけど
手はタバコで
空きがない窓まで
追うまた
カーテンを閉めて
追うまた
カーテンを閉めて
追うまた
カーテンを閉めて
追うまた
カーテンを閉めて
追うまた
カーテンを閉めて
追うまた
カーテンを閉めて
追うまた
カーテンを閉めて
追うまた
カーテンを閉めて
広いベッドに沈もう
別に無くなるわけ
じゃないだろ
黄色い窓眩しいけど
手はタバコで
空きがない今
広いベッドに沈もう
別に無くなるわけ
じゃないだろし
黄色い窓眩しいけど
手はタバコで
空きがない窓まで
追うまた
カーテンを閉めて
追うまた
カーテンを閉めて
追うまた
カーテンを閉めて
追うまた
カーテンを閉めて
追うまた
カーテンを閉めて
追うまた
カーテンを閉めて
追うまた
カーテンを閉めて
追うまた
カーテンを閉めて
- Lyricist
IDB
- Composer
IDB
- Producer
IDB
- Recording Engineer
IDB
- Mixing Engineer
IDB
- Mastering Engineer
IDB
- Graphic Design
IDB
- Vocals
IDB
- Rap
IDB
- Programming
IDB

Listen to closed the curtains by IDB
Streaming / Download
"From a locked room to the infinite depths of the subconscious. A next-generation club sound born from the collision of hip-hops raw energy and the velocity of drum and bass."
This concept album explores the intimate creative process within the deeply personal confines of "the room," and the blurring boundaries between dream and reality that expand from it. The static labor inside these four walls erodes reality as the beats deepen, eventually dissolving into a psychedelic world of the subconscious.
While maintaining the sharp edge of hip-hop at its core, the album boldly features high-speed, sprinting drum and bass breakbeats throughout. The sonic magic lies in how it instantaneously transforms the hyper-private setting of a "lonely room" into a sweat-soaked "club floor." This is no mere bedroom-pop archive. Born from the depths of introspection to shake the dancefloor, it marks the arrival of the ultimate hybrid musicintensely bedroom, yet inherently club-ready.
Artist Profile
IDB
Born in Tokyo in 1996, this Korean rapper moved to South Korea in 2007 and returned to Japan in 2022 to launch his career. In South Korea, unable to speak the language initially, he fell in love with hip-hop. the very first music he heard there. This sparked his journey into self-taught making the beat and mixing. His style features flexible, trap-based beats combined with lyrics drawn from personal experiences. He also packs multiple styles into a single track, making him sound like a two- or three-member group. It appears he is just beginning his journey into full-scale music production.
IDBの他のリリース
