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Echoes of Carolan Vol. 3 - Mrs. Judge
This album was born from a single question:
how did the 18th-century Irish composer Turlough O'Carolan perform the semitones and accidentals preserved in written scores on a diatonic wire-strung harp?
By exploring that possibility, this recording traces a journey into the chromatic nuances that may have existed within Carolan's music.
Six different wire-strung harps were used in the recording.
The subtle fluctuations and shadows created by chromatic inflections gently reveal another image of Carolan-one that differs from the familiar festive and extroverted character often associated with his music.
Harps used:
Hinoki wire-strung harp "Dragon Harp" (op.311, G3-E6)
Hinoki wire-strung harp "Shamrock" (op.317, G3-E6)
Hinoki wire-strung harp (op.307, 22 strings, G3-E6, including F/F#)
Hinoki wire-strung harp (op.322, 27 strings, G2-E6)
Hinoki wire-strung harp (op.345, G3-E6)
Maple wire-strung harp "Old Cinnamon" (op.347, 27 strings, G2-E6)
Instrument design and construction, arrangements, performance, and musical commentary by Keisuke Teramoto.
Detailed track notes are available via the link below.
https://note.com/carolanacademy/n/n432df28bc5d2
Keisuke Teramoto Wire-strung harp player & maker Born in Kyoto City, residing in Yokohama City. Studied harp under Koji Amada, neo-Irish harp under Masumi Sakaue, and musicology under Ryuichi Higuchi. Earned a Doctor of Arts (Meiji Gakuin University Graduate School) through research on Irish harp music before the 18th century. Teaches harp in Yokohama and Kyoto, having instructed over 400 students. Since 2014, he has independently designed and crafted more than 347 harps (as of April 2025) . Since March 22, 2024, he has been uploading daily performance videos featuring his handcrafted harps at 6:00 PM on YouTube. www.youtube.com/@telynmoto