
Release Date
2026-01-24
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Using sound as stage design, and music as a device that regenerates thought and aesthetics,
this is the first album by the music/visual project A Concrete Mur,
exploring the intersection of structure and perception.
Starting from a contemporary sensibility in which the distance between subculture and mainstream culture has collapsed,
the project attempts to reinterpret underground theater through sound alone.
Sonic experiments, fragmented pop elements, and distorted forms of festivity interfere with one another,
while three vocalists, spoken word, and language arranged as signs
give rise to a single structure across the album as a whole.
A music and visual project exploring the intersection of structure and perception, using sound as stage architecture and music as a device for the regeneration of thought and aesthetics. Formed in 2020, the project seeks a return to dimensional expression after an era of homogenization. Sound is treated not merely as music, but as a structural entity intertwined with space, the body, and the gaze, with works created under the premise that they may be reinterpreted and reconstructed according to context and environment. Centered around the concepts of "Concrete" (reality) and "Mur" (walls), the project visualizes structures that contain perceptual gaps and separations through music and moving images, pursuing an evolving form of expression that resists fixed genre classifications. Drawing on the members' deep involvement in Japanese underground theatre, the project presents a post-underground mode of expression across sound and image. After completing three years of recording experiments in December 2025, the project announced its return to its original name, A Concrete Mur, in January 2026.
A Concrete