

何もない机にあたしはなにを思う
窓越しに揺れた花が花瓶とともにある
ごめんね ごめんね
傷のついた木目にあの背表紙を思う
まるで椿のように
思い出す一瞬は永遠 永遠
あたしが思い出す時一瞬はどれも美しくある
憂いも戸惑いもあったけれど
あたしは美しさを感じてる
それはつまり私が永遠を決めてるの
誰もみたことのない
はずなのにどうして
言葉だけここにあるの
花瓶だけ残ってる 永遠 永遠
あなたが思い出す時あたしが美しくあれるように
暗闇で星が輝くように
あたしが一番あたしなままの
ひとときをほんの少しでも作るの
初めてこの世界を過ごしている途中だから
あの夜の夜空のように
輝きは少ししか残せないけれど
あたしが思い出す時一瞬はどれも美しくある
憂いも戸惑いもあったけれど
あたしは美しさを感じてる
それはつまり私が永遠を決めてるの
- Lyricist
sumi
- Composer
sumi
- Producer
sumi
- Mastering Engineer
sumi
- Songwriter
sumi
- Adapter
sumi
- Percussion
sumi

Listen to sasanqua by sumi
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愛しい人への贈り物です。
Artist Profile
sumi
Sumi is a Japanese singer-songwriter who began releasing music in April 2026. Writing and composing her own work, she consistently explores a single theme: things that pass through impermanence, transience, the quiet movement between states. Her songwriting is built on a simple principle: to reach emotional depth through plain everyday language, precise word choice, and unexpected structure. She avoids elaborate vocabulary or stylistic tricks, writing in words anyone would recognize yet achieving resonance through how those words are arranged. Her work is marked by a distinctive linguistic fingerprint: archaic Japanese expressions and onomatopoeia dissolved into contemporary speech, creating a texture that feels both ancient and immediate. After her debut single "Kaze" (Wind) in April 2026, followed by "petrichor" and "microbit" in the same month, Sumi has adopted a weekly release cadence. A four-song cycle "butterfly," "Bouquet," "maria age" unfolds through May and June, followed by a second chapter of four more releases. Each song stands alone, yet four songs together trace a single narrative arc: a modern reinterpretation of serial storytelling in Japanese pop music. Musically, she moves freely across genres from electronic to acoustic solo guitar to world music but the underlying aesthetic remains constant: a meditation on impermanence and stillness. In deliberate contrast to the verbosity of mainstream J-pop, her work is designed around negative space. Since her first release, her music has begun reaching international listeners, with organic traction through TikTok and other platforms among non-Japanese-speaking audiences. Sumi's music doesn't speak in order to be heard. It leaves space and in that space, something passes through.
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