

中央線の 文具店の帳場
閉店前の 珠の手ざわり
一日の数を 右から弾いて
親指だけで 桁を上げてく
週に一度の 紙の届け物
このごろ時間が 少しずれてる
高円寺駅の 影が伸びる頃
伝票の隅 斜めの走り書き
一珠だけ合わない 帳面の数
弾いても弾いても 端がずれてく
訊けば済むのに 珠を見ている
払いかけたまま 指が止まる
戻して数えて また合わない
違うのは数じゃ なかったのね
あなたの来た刻(とき) いつもと違う
桁のあいだに 浅い隙間
境川の岸 増える水位を
指で数えては 橋を見ていた
数えるうちは 待たずに済んだ
今も帳場で 珠を弾いてる
一珠のずれを ご破算にして
桁をぜんぶ 定位置へ戻す
数えた時刻(とき)は 数え直さない
合わない分を こちらで持つの
そろえた珠に 灯りを落とす
「待ってた」は 桁の間に伏せ
一日の伝票 重ねてたたむ
シャッター下ろす 鍵の音ひとつ
- Lyricist
Akemi
- Composer
Akemi
- Producer
nanayon music
- Mixing Engineer
nanayon music
- Vocals
Akemi

Listen to The Abacus Miscount by Akemi
Streaming / Download
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The Abacus Miscount
Akemi
The Abacus Miscount is a mid tempo city pop track that portrays the quiet closing hour of a small shop, where one bead that will not settle reveals a shift in the hour her visitor arrives.
The counter of a stationery shop off the Chuo Line, beads flicked just before closing, a slanted scribble in the corner of a delivery slip, and a shallow gap between the columns create a hushed scene where the miscount in the ledger points not to the figures but to a growing distance between two people.
Performed by the fictional AI singer Akemi, the song captures the emotions of adulthood that refuses to blame the other person, lays down the question she could simply ask, and chooses to carry the part that will not add up on her own side of the counter.
Inspired by the late 1970s to early 1980s Japanese new music and city pop, the track reimagines that era urban lyricism through images of a shopping street at dusk, the air of a shop counter, and the temperature of two paths that no longer meet.
Clearing the single stray bead to nothing, she sends every column back to its home place, and only the hour she decides not to count again stays with her.
She lays her unspoken waiting between the columns, folds away the slips of the day, and lowers the shutter with a single turn of the key.
Produced by nanayon music.
Artist Profile
Akemi
A music project that reimagines the melancholic mood and nighttime glow of late 1970s to early 1980s Japanese City Pop and New Music through AI-assisted production and human direction. Akemi is a fictional singer with a backstory of being from Yamato City, Kanagawa, Japan. She sings of urban solitude, grown-up love, and bittersweet afterglow in a noir-tinged city pop sound. Lyrics, composition, vocals, and visuals are created using generative tools and curated through editing. This is an experimental project exploring the human warmth and nostalgia that can emerge from AI.
Akemiの他のリリース
nanayon music



