Matsukaze and Murasame (feat. HIROYUKI, NANA & Yuriko) [Hyakunin Isshu] Front Cover

Lyric

Matsukaze and Murasame (feat. HIROYUKI, NANA & Yuriko) [Hyakunin Isshu]

SHIONO, Twilight Master

立ち別れ……いなばの山の……

須磨の潮風が 肌を撫でる夜

松風と村雨 二人を抱きしめて

熱い吐息が 部屋を満たしていく

破天荒な日々 もう忘れられない

兄上……今夜も 私を離さないで

村雨の髪に 指を絡めて

あなたの唇が 私の首筋を這うたび

心が乱れて 溶けてしまいそう

兄さま……私たちを 置いていかないで

あの夜の激しさ 朝まで続く熱

三人で絡み合う そのぬくもりが

私のすべてを 満たしてくれるの

別れが近づく この胸の痛み

それでも あなたを待つ

立ち別れ いなばの山の

峰に生ふる まつとし聞かば

今帰り来む 必ず戻る

松風よ 村雨よ 待っていてくれ

あなたの手が 私の肌を辿るたび

村雨の声が 甘く重なる

三人で過ごした あの破天荒な夜々

今も体が 熱く疼いている

因幡の松が あなたたちを待つように

私の心も 二人に絡まっている

どんなに遠くても 必ず帰る

この愛の淵は 深く 深い

兄上……最後の夜を 私にください

兄さま……私たちを 離さないで

二人が待っていると 聞いたらすぐ戻る

この熱い想い 永遠に消えぬように

立ち別れ いなばの山の

峰に生ふる まつとし聞かば

今帰り来む……

松風と村雨 私のすべてよ

必ず 帰るから

……待っていてくれ……

待っていてくれ……

  • Lyricist

    SHIONO

  • Composer

    SHIONO

  • Producer

    Twilight Master

  • Vocals

    NANA, HIROYUKI, Yuriko

Matsukaze and Murasame (feat. HIROYUKI, NANA & Yuriko) [Hyakunin Isshu] Front Cover

Listen to Matsukaze and Murasame (feat. HIROYUKI, NANA & Yuriko) [Hyakunin Isshu] by SHIONO, Twilight Master

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    Matsukaze and Murasame (feat. HIROYUKI, NANA & Yuriko) [Hyakunin Isshu]

    SHIONO, Twilight Master

This 16th poem of the Hyakunin Isshu is reborn as a sweet, intoxicatingly sultry, conversational love song between three voices. It paints a vivid picture of Yukihira and the two sisters in Suma-their wildly unconventional, fiercely erotic days together, the agonizing pain of their separation, and the burning vows they made to reunite, all depicted through raw, unapologetically mature scenes.

It is a highly emotional, stylishly produced track where courtly elegance and raw eroticism intertwine, leaving a profound and lingering afterglow, brought to you by Twilight Master.

Chunagon Yukihira (818-893) was a prominent Heian aristocrat and poet, the elder brother of the legendary Ariwara no Narihira.

Officially, this waka was composed upon his departure for Inaba Province. However, folklore whispers that it was truly written for two sisters, Moshiho and Kofuji-whom he affectionately named Matsukaze (Pine Wind) and Murasame (Autumn Rain)-during his exile in Suma.
The poem's brilliance lies in the kakekotoba (pivot word) "matsu," meaning both "pine tree" and "to wait." It elegantly entrusts his sorrow of parting and a fierce promise to return to the natural imagery of the pines. It is a quintessential Heian love poem, flawlessly merging aristocratic sensuality with the transience of life.

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