

フルスピードで上げてくF1RST ROUND
常に勝負は本気の3分間
03 Tokyo 唸るg.o.a.t
Bless you
C.K積むエンジンRB-26
まるでスカイライン
街はSlow Train
始まりはAir Plane
今をrecするBooth
ハノイの排気ガス
肺に溜まるZoot
瞳は交差しCruise
記憶を追い返すー
ベトナム帰りの少年
全く知らない街
全員右向け右
鬱陶しいってかムリ
学校には行かずに担任が乗り込み
キッチンで馬乗り
実録版金八
教育センター行き
ふんぞるカワノを蹴り
ナイフを目掛けたモリに
怒鳴り涙のムツミ
精神科に呼ばれ血液採取と薬
「最初っから終わり?」
奪われる光
ブルーハーツ、ジュディマリ
NIRVANAとJAY-Z
ロンドンパンクとLENNY
銀杏BOYZ・BIGGIE
一瞬光る闇
「勇敢ってのは何?」
名実ともにあれー
C.Karter 俺の瞳の中
学校よりSchool of Lock
真夜中に聴くRadio
バナナマンもまだ低空飛行
火曜日担当Wanted!
ヒップホップとUKロック
テレキャス眺めるMusic Store
美術館溜まるアジト
俺の人生 全てがART
F1RST ROUND
Look around, we on a Planet's Lane
F1RST ROUND
Look around, we on a Planet's Lane
F1RST ROUND
Look around, we on a Planet's Lane
F1RST ROUND
Look around, we on a Planet's Lane
Yea
Young rich, poor kids
手の鳴る方
でっけえスピーカーをDiggi Don Don
Sweety, honey, boo
My Lady ガイド
色目使わなくてもこの態度
C.Karter フロム トキオ
ぶってえSpitでハジくオマエの頬
正しいとかじゃなくてイカした方
あっかんべえしたって俺はUnstoppable
"一生不良で終わり?"
"一生ナードで終わり?"
欠陥品と呼ばれ一生は終われねぇ
一生膨れ上がり
作文でもいい歌詞
10分くらいのステージ
一生焼き付けるだけ
Ayy ayy
ただlook my art
赤目の彗星 Venus Fort
Woo
Aye
星降るPurple Rain
光の速度で走る滑走路 woo
外は涙の雨音
滲む今までの足跡
人は気になる過去の事
俺は気にせず舵を取る
俺に任せろPlayers
すぐに言わせるsay "Yes"
このビートがそう
プラネタリウムのような魔法
この声とパレット
It's ain't no bullet
Swim in planet
Swim in planet
一瞬でも奪われた
一瞬の光
一瞬で変われる
一瞬の光
また降り出した雨の中
Welcome to the Planet's Lane
ーきっと雨上がり
(F1RST ROUND
Look around, we on a Planet's Lane
F1RST ROUND
Look around, we on a Planet's Lane
F1RST ROUND
Look around, we on a Planet's Lane
F1RST ROUND
Look around, we on a Planet's Lane..)
- Lyricist
C.Karter
- Composer
C.Karter
- Producer
C.Karter

Listen to F1RST ROUND by C.Karter
Streaming / Download
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F1RST ROUND
C.Karter
E
Can you quickly describe your strengths and weaknesses? Or can you smoothly tell the story of your life to someone you meet for the first time?
C.Karter, an artist, says that he is good at turning his shortcomings and failures into funny stories, and using them as communication tools with complete strangers.
However, he has never recorded his guilty past or "true" failures to the extent that he could say that he never wrote songs about them, much less talked about them with others.
After three years of living in Hanoi, Vietnam, a city with a different atmosphere from Ho Chi Minh City, where he spent his youth, he did not return to Tokyo, but instead lived in the Kyushu region of Japan. There he was exposed to the lifestyle of living without decorating himself that he had gained from living abroad.
He did not fit in at junior high school and had trouble with his homeroom teacher. He also had trouble at the education center, a so-called "mild rehabilitation facility" for children who refused compulsory education, where he had to deal with violence and other problems that he could not add to. Eventually, C.Karter was visited to go to a psychiatric hospital in the same prefecture, where he was given psychotropic medication, and had to go for regular checkups and blood draws.
At that time, C.Karter enjoyed reading introductory psychology books, exchanging information on various music and watching comedy DVDs with his friends at the education center, free space at the Museum of Contemporary Art where he and his friends accumulated after returning from the education center, and listening to NIRVANA and Blue Hearts in the car driven by his mother.
Gradually, he became obsessed with music to an unusual degree. He became obsessed with music to such an extent that even the term "genre-bound" seemed too easy to describe.
Then, C. Karter saw a light.
"I can express even this hopelessly over life through music."
He said.
When he was in Vietnam, his dreams were to become a comedian and a novelist. While living in Vietnam, he learned to play the guitar from a friend named Tutu, who was three years older than him, and learned to enjoy music.
The boy C.Karter thought, "I could sing.
"I could sing. Now I just need the experience to convince people."
And when he began to feel that way, he returned to Tokyo...



