NOISY NOISY (feat. KASANE TETO) Front Cover

Lyric

NOISY NOISY (feat. KASANE TETO)

The Structures

起きたらまずモーニングルーティン

輝かしい世界の一部

ちぎってポイちぎってポイポイ

大公開時代

電車の中とんとんストーリー

華々しい日常劇場

切った貼ったの大立ち回りを繰り広げて

いいねの数、尊ばれてく

愛され大明神

ハリボテのエレジー

(見せかけ)

虚構の夢、信じ込んで

崇めている

張子の虎を

繋がりの世界を皆で

支え、支えられ軋んでく日々が

レコメンドに侵されて

ノイズばかり走り回って

すり減らされてく鼓動

もうどうしようも無い無い Cry

やりたい放題 バズゾンビ あぁ

ハリボテだらけの Day by day

(ノイジー=ノイジー)

もう泣きたい Cry

眩しい爽快 バズで築いてく

手のひらサイズのUtopia

(ノイジー=ノイジー)

夢か幻想かわからない

ものを追いかけて Day by day

足りて無いのは”何か”じゃなく

溢れすぎてる”らしさ”かも

家着いたら帰宅後ルーティン

輝かしい虚構の一部

サムネでホイ、サムネでホイホイ

やり放題、擬態

布団の中 T○kT○k レコメンド

華々しいしょ~と劇場

代わる代わるのエンタメ祭りを繰り広げて

見られた数、尊ばれてく

再生信仰心

パチモンのバトル

(見せかけ)

メッキの夢、信じ込んで

崇めている

バーチャルのリアル

やめられないスクロール、皆で

次のバズを引き摺り出していく

ドーパミンが溢れてく

刺激ばかり走り回って

すり減らされてく鼓動

もうどうしようも無い無い Cry

やりたい放題 映え亡者 あぁ

ハリボテだらけの Day by day

(ノイジー=ノイジー)

もう泣きたい Cry

眩しい爽快 映えで築いてく

手のひらサイズのUtopia

(ノイジー=ノイジー)

どうしようも無い無い Cry

バズの奴隷 あぁ

(インプに化かされ続けてく)

もう泣きたい Cry

眩しい爽快 バズで築かれた

箱庭の中に閉じ込められて

ノイズの嵐の中へと…

どうしようも無い無い Cry

やりたい放題 バズゾンビ あぁ

ハリボテだらけの Day by day

(ノイジー=ノイジー)

もう泣きたい Cry

眩しい爽快 バズで築いてく

手のひらサイズのUtopia

(ノイジー=ノイジー)

夢か幻想かわからない

ものを追いかけて Day by day

足りて無いのは”何か”じゃなく

溢れすぎてる”らしさ”かも

  • Lyricist

    The Structures

  • Composer

    The Structures

  • Mixing Engineer

    The Structures

  • Mastering Engineer

    The Structures

  • Vocals

    KASANE TETO

NOISY NOISY (feat. KASANE TETO) Front Cover

Listen to NOISY NOISY (feat. KASANE TETO) by The Structures

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    NOISY NOISY (feat. KASANE TETO)

    The Structures

The new single from The Structures, a music project by composer Yusei Koga.
The more we connect through social media and the more we scroll, the more we feel a sense of alienation and loneliness. This track transforms that disconnection and the reality of a society flooded with SNS, where even someone's cry can be buried, into a danceable beat.

The song is built around jazzy electro-swing elements, supported by a deep, EDM-inspired core sound that is sure to become addictive after just one listen.

Going deliberately against current musical trends, the track follows a traditional four-minute structure with repeated A, B, and C sections. This classic composition enhances the strong and irony-filled message within the music.

Listeners should also pay attention to the sharp and satirical word choices woven throughout the lyrics, including phrases like "age of full exposure", "buzz zombies", and "aesthetic addicts".

In today's world, where the noise of SNS has made it difficult to judge right from wrong, most information ends up as meaningless static. Even though there are real people behind the screens, we still try to measure emotions with "likes".

The lyrics express a raw and human feeling with the line, "Why should the loudest voice be seen as the righteous one"
Sung by Synthesizer V Teto Kasane, the track offers a sincere look into the contradictions of modern digital life.

Latest Playlist In

NOISY NOISY

Apple Music • New In: Anime Apple Music • New In: J-Pop

Past Playlist In

NOISY NOISY

Spotify • New Music Everyday - tuneTracks (curated by TuneCore Japan) • 6 Aug 2025

Artist Profile

  • The Structures

    Yusei Koga's Music Project Inspired by US chart-topping "Pop," "EDM," and "Future Bass," Yusei Koga creates a unique sonic landscape that blends rich synth sounds with an urban yet organic feel. Collaborating with international artists, he releases music aimed at a global audience. He began his musical career in 2020 with the release of his debut album "By myside." In 2021, his single "Illusion" was nominated as a semi-finalist in the "International Songwriting Competition 2021," marking a major achievement. Yusei discovered his passion for music at the age of 15 when he started playing guitar. He covered "J-pop" and "Western music from the '70s" and played in bands with friends. Even after entering the workforce, he continued performing in bands. In 2020, when he decided to fully pursue music as a career, he transitioned to his current style. Building on the foundation of his band experience, Yusei now produces sophisticated tracks using "DTM" (desktop music production), combining musical sensibility with high-level production techniques.

    Artist page

  • KASANE TETO

    Artist page

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