

かったるい
CANDY WORD
噛み砕け
さよなら、だ
甘いMyself
合成の香料は
要らないな
今日から「本当」だけでいい
誰かの作ったレンズを掛けて
誰かの敷いた道路の上
誰かの使う言葉を纏ってさ
宇宙一、イケてるね
随分と世界はシンプルだ
通常で、”ふつう”で居るうちは
大衆的風味は甘美で
舐めてる 丸いの
かったるい
CANDY WORD
噛み砕け
さよなら、だ
甘いMyself
合成の香料は
要らないな
今日から「本当」だけでいい
私のまだ知らないような
初めてを見つけたくて
辛いも
苦いも
しょっぱいも
全部 あって構わないな
CANDY WORD
何言ったって遣り込めんだ
誰も彼も 名コンサルタント
隠してる毒を
ジョークと 記録と
見事に華麗な包装紙で
本当は感想で充分だ
「正解 / 不正解」の先が見たい
栄養がない文字ばっかりで
あ、無理かも ちょっと
辛かった事 笑う度
苦痛とか分かんなくなった
便利な言葉は持つ甘味
けどこれ、温かくない
CANDY WORD
噛み砕け
さよなら、だ
甘いMyself
合成の香料は
要らないな
今日から「本当」だけでいい
あなたとまだ知らないような
初めてを交わしたくて
辛いも
苦いも
しょっぱいも
ぜんぶ混ぜて話そうか
- Lyricist
Caffeine Junkie
- Composer
Caffeine Junkie
- Producer
Caffeine Junkie
- Mixing Engineer
Caffeine Junkie
- Mastering Engineer
Caffeine Junkie
- Guitar
Caffeine Junkie
- Keyboards
Caffeine Junkie
- Synthesizer
Caffeine Junkie

Listen to CANDY WORD by Caffeine Junkie
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CANDY WORD
Caffeine Junkie
"CANDY WORD" - convenient words optimized for what's "right" and "normal."
It's about time we said goodbye.
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Artist Profile
Caffeine Junkie
2024 marked the beginning of CAFFEINE JUNKIE's musical activities. Built around the concept of a "weekly serialized manga," new songs are released on social media as standalone "one-shots." Tracks that receive a strong response are later expanded into full versions as "serialized releases," drawing attention for a unique style that blends music with manga culture. Musically, CAFFEINE JUNKIE draws influence from a wide range of genres including mixture rock, alternative rock, house, and hip hop, creating a free-form style that resists being confined to any single genre. At the same time, great emphasis is placed on lyrical expression, pursuing a balance between cinematic imagery and melodies that naturally resonate with listeners. The project has earned recognition for crafting worlds that evoke vivid scenes and personal memories in the listener's mind. In 2026, CAFFEINE JUNKIE was selected for "Independent Artist 100" as one of 100 artists expected to shape the future of the music scene. With an exceptionally high release pace, the project continues to establish a distinct presence often described as a "new form of Reiwa-era pop music."
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