The June 2026 issue Front Cover

Lyric

The venue's feeling pretty dead, don't you think?

YOWAME

時代はBuzzだが下積める時間はせいぜい10年

その短さの中、生き様、価値観、モラルを時代という部外者が決める矛盾点

「ライブハウス冷めてね?」Floorにゃ誰もいねぇ?

楽屋が汗臭ぇのだけは変わんねぇ Wow yeah2000年 そこに憧れ

俺も抱いて、ノルマバリ辛ぇ

年間100本は回ったLive 機材車乗っかって細っていく財布

ノルマ払えど年金はSwipe それでも「売れる」何故か信じる

乗しかかるHeavyな3500 学生なら顔面蒼白

新規流入、激減中 古参だけで回る空中

五里霧中、Indie Rock このまんまじゃ消えるFortune

でもね、まだ来ねぇBuzzりゃ勝ちってエモで言ってんじゃねぇ

カウンターパンチじゃねぇ

Like a灯火なPassionとFeel マジな話 要る ライブ筋

時代はBuzzだが下積める時間はせいぜい10年

その短さの中、生き様、価値観、モラルを時代という部外者が決める矛盾点

  • Lyricist

    Takuro

  • Composer

    Haiji

  • Producer

    YOWAME

  • Guitar

    Haiji

  • Drums

    Haiji

  • Synthesizer

    Haiji

  • Vocals

    Takuro

  • Rap

    Takuro

The June 2026 issue Front Cover

Listen to The venue's feeling pretty dead, don't you think? by YOWAME

Streaming / Download

  • 1

    Three Cups of Jagariko

    YOWAME

  • 2

    Support starts at 30, 000 yen?

    YOWAME

  • ⚫︎

    The venue's feeling pretty dead, don't you think?

    YOWAME

  • 4

    ELLEGARDEN AI Singing Avril Lavigne

    YOWAME

  • 5

    Any Music You Hate?

    YOWAME

  • 6

    I love Shigeru Kishida

    YOWAME

  • 7

    Aiming for Yukie Nakama with Dawnloads

    YOWAME

  • 8

    This Sound's Source Is Ono Takemasa

    YOWAME

  • 9

    Lucky to Have The Beatles

    YOWAME

  • 10

    Overvalued Digital and the True Physical

    YOWAME

  • 11

    Ultimate Action Speaks

    YOWAME

  • 12

    Too Much of a Good Thing

    YOWAME

  • 13

    The Philosophy of Akari Hasegawa

    YOWAME

YOWAME exists at the intersection of confession and comedy, turning real questions submitted to the YouTube channel "Bandman Shika Shiranai Sekai" into rapid-fire rap tracks that read like dispatches from the trenches of the underground music scene. The June 2026 issue collects thirteen of these dispatches into a single document of what it actually costs, financially and spiritually, to be in a band right now.
Across the record, YOWAME breaks down guarantee fees and unequal pay structures, wrestles with AI-generated music eating into the mythology of talent, dissects the gap between digital hype and the brutal arithmetic of physical ticket sales, and admits in plain language how hard it is to find bandmates who share more than just chops. There's no posturing here, no manufactured cool. The wordplay is dense and self-aware, stacking English slang against Kansai-tinged street Japanese, but underneath the jokes about instant noodles and convenience-store snacks sits a genuinely anxious, genuinely hopeful artist trying to survive an industry that keeps changing the rules.
What makes this collection compelling isn't technical polish, it's honesty delivered at speed. Each track functions almost like a diary entry set to a beat, unfiltered and specific in a way most music refuses to be. If you've ever wondered what musicians actually think about money, AI, scenes, and each other, this is the answer key.

Artist Profile

  • YOWAME

    YOWAME is a rap duo that transforms questions sent to the YouTube channel The World Only Bandmen Know into original tracks. They have set an ambitious goal of releasing 150 songs a year, which means dropping a full-length album every single month. They are a completely fresh alternative rap outfit that drags the inconvenient truths of the music industry and the raw, gritty reality of bandmen daily life and finances, secrets long buried by both the Japanese indie and major scenes, right out into the open with sharp, cutting raps and highly addictive riffs. Armed with the lyrical prowess of Takuro (Vo, Rap), whose storytelling talent is so profound his novel was adapted into a movie, and the sonic craft of soundtrack composer 812 (Track Maker), the duo keeps up the fight on their main battleground, YouTube, dropping content every Tuesday, Thursday, and Saturday.

    Artist page


    YOWAMEの他のリリース

Shimotokaido Record

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