

氷の溶けたグラスに
電車の音が触れる
向かいの椅子に置いた
鞄が少し傾く
待ち合わせじゃないのに
入口を見てしまう
君の知らない服を
選んで出てきた今日も
ひとりで平気な時間が
昨日より増えた分
ふいに恋しくなること
誰にも話せずにいる
You're not here, but I still turn
面白いことがあるたび
君のほうを向く癖が
抜けないままでいる
Just a little out of reach
街に灯りがともる
今日を好きになれそうで
君に会いたくなる
夜になる手前
歩道橋の真ん中
ほどけた紐を結ぶ
先を急ぐ足音に
ふたりの歩幅を思う
「またね」と言ったときの
何でもなさが恋しい
次があると思うだけで
僕らは自由だった
新しい店もできた
髪も少し短くした
変わったことを数えて
変わらないものに触れる
You're not here, but I still turn
聞いてほしい話ほど
胸の奥で行き先を
なくしたままでいる
Just a little out of reach
信号が青に変わる
人の流れに混ざって
君の名前を飲み込む
声になる手前
I don't need the days back
I just miss the little things
The way you'd stop mid sentence
When you couldn't help but grin
大きな約束より
どうでもいい話を
途中でやめたまま
続きを待っていたかった
You're not here, but I still turn
新しい歌を聴くたび
君ならどこを好きだと
言うだろうって思う
You're somewhere I can't see
同じ街のどこかで
僕を思わない夜も
君が笑えていたら
少し寂しいけど
I take the long way home
With so much left to say
曲がり角のパン屋で
明日のパンをひとつ
- Lyricist
keiru
- Composer
keiru
- Producer
keiru
- Mixing Engineer
keiru
- Mastering Engineer
keiru
- Graphic Design
keiru
- Songwriter
keiru
- Programming
keiru

Listen to Almost Evening by keiru
Streaming / Download
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Almost Evening
keiru
Even when no ones coming, she still glances at the door. Every time something funny happens, she still turns to tell you.
Almost Evening is a neo-acoustic city-pop song by keiru, built on ringing steel-string guitar arpeggios, breezy strums and warm Rhodes chords. Sung in Japanese and English, it captures the small moments of a city at dusk: melted ice in a glass, a pedestrian bridge, a corner bakery on the long way home. Its about missing someone quietly, in the moment just before evening falls.
Artist Profile
keiru
genreless music project exploring the intersection of human imagination and artificial intelligence. Moving freely between alternative, indie, electronic, pop, ambient and beyond, each release creates its own sonic world rather than following a single genre or style. AI is approached not simply as a tool for automatic generation, but as a new creative environment a space for discovering ideas, unexpected sounds and new possibilities through direction, selection and reconstruction.
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