

冬の三ノ輪 暮れ残る路地
下りかけた暖簾を 押し上げない
大和の駅裏の 質屋を思う
くぐる背中を 見ていた子ども
「これ似合う」と 笑って くれた
半年前に 店へ預けた
品名の欄は 他人の筆跡
それが今の 指輪の居場所
期限の日付 指でなぞれば
蔵の奥では 指輪が眠る
今夜を越えれば 流れてしまう
シャッターがひとつ 軋んで下りる
くぐりさえすれば あと一言で
「受け戻します」と 言えば戻る
戻せば手元で また疼くもの
言わずに硬貨を 握ったまま
捨てれば決着 装うだけで
持てば夜ごと 手が火照るだけ
戻せる金を 握ったままで
あの指輪には 蔵がいいのよ
金は鞄へ シャッターが下りる
指輪は蔵へと 私が置く
折れた質札を もう一度折る
何も渡さずに 背を向ける道
「返して」なんて 言う相手もなく
質札だけを 鞄にしまう
暖簾はくぐらず 三ノ輪の夜へ
蔵の奥に残す 冬の指輪
- Lyricist
Akemi
- Composer
Akemi
- Producer
nanayon music
- Mixing Engineer
nanayon music
- Vocals
Akemi

Listen to The Forfeited Lament by Akemi
Streaming / Download
- ⚫︎
The Forfeited Lament
Akemi
The Forfeited Lament is a mid tempo city pop track that portrays a winter night when a woman finally closes the half year she has left suspended, a ring from a former lover locked away in a downtown pawnshop.
A half-lowered shop curtain, coins held tight in one palm, a creased pawn ticket, and a metal shutter groaning as it comes down create a hushed, cinematic scene where the quiet choice of whether to redeem the ring or let it go rises to the surface.
Performed by the fictional AI singer Akemi, the song captures the loneliness of adulthood that chooses, with the redemption money still in hand, not to take the ring back, neither clinging nor discarding, but letting the loss pass to the side of time.
Inspired by the late 1970s to early 1980s Japanese new music and city pop, the track reimagines that era cinematic lyricism through the downtown pawnshop, the winter alley, the closing shutter, and the suspended ring.
As the shutter comes down for good, she leaves the ring deep in the vault, folds the pawn ticket once more, and turns toward the road without passing under the curtain. It is a song about a woman who closes her own loss by choosing not to reclaim what she still could.
Produced by nanayon music.
Artist Profile
Akemi
A music project that reimagines the melancholic mood and nighttime glow of late 1970s to early 1980s Japanese City Pop and New Music through AI-assisted production and human direction. Akemi is a fictional singer with a backstory of being from Yamato City, Kanagawa, Japan. She sings of urban solitude, grown-up love, and bittersweet afterglow in a noir-tinged city pop sound. Lyrics, composition, vocals, and visuals are created using generative tools and curated through editing. This is an experimental project exploring the human warmth and nostalgia that can emerge from AI.
Akemiの他のリリース
nanayon music



